{"title":"DEATHWISH \/ PRE-ORDER","description":"","products":[{"product_id":"greet-death-new-hell","title":"Greet Death \"New Hell' LP","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLP - Gold Vinyl\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eTracklisting: \u003c\/strong\u003e\u003c\/em\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 01. Circles Of Hell \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 02. Do You Feel Nothing? \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 03. Let It Die \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 04. You're Gonna Hate What You've Done \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 05. Entertainment \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 06. Strange Days \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 07. Strain \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e 08. Crush \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\"\u003e09. New Hell\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eGreet Death is a three piece post-rock band from Flint, Michigan. They initially made waves with their infectious debut album \"Dixieland\" (Flesh and Bone, 2017). The album was well received, with Pitchfork giving it a \"7.7\" rating and stating \"...This is a remarkably tuneful, forthright pop-rock band that just so happens to play six-minute songs at bradycardic tempos\". \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"New Hell\" is the latest album from Greet Death. It was recorded by Nick Diener (The Swellers) at Oneder Studios. Additional recording was done by Jake Morse. It was all mastered by Jay Maas at Getaway Recording, and artwork for the release was created by illustrator Liam Rush. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003eThe album as a whole is a creative intermingling of lush melodic atmosphere with melancholic lyrical content. Within that haze their personal subject matter is cleverly cloaked amid beautiful vocal deliveries and dreamy guitar work. This is the case in songs \"Circles of Hell\", \"Do You Feel Nothing\", \"Let It Die\", and \"You're Gonna Hate What You've Done\". This not-so-subtle vitriol continues to spread through self reflection in unforgettable songs like \"Entertainment\", \"Strange Days\", as well as the tone-soaked \"Strain\". While \"Crush\" plays as a complex outpouring disguised as a hook-laden pop number. All of this leads to \"New Hell\", a nearly ten minute epic of towering proportions. Lovingly constructed before ominously swaying in the wind and collapsing under its own emotional weight.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Default Title","offer_id":44816179921169,"sku":"DW-216","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/GreetDeathNewHell.png?v=1739872350"},{"product_id":"greet-death-die-in-love-lp","title":"Greet Death \"Die In Love\" LP","description":"\u003cp\u003e🚛 - Pre-Order expected to ship July 10th 2026\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eGreet Death is a five-piece shoegaze band from Michigan.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\"Die In Love\" is a beautifully melancholic album by Greet Death. The band's dizzying melodic nature shines throughout its nine tracks, featuring delicate acoustic shimmers, somber percussion, and high-volume post-everything fuzz.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eRecorded by Jackie Kalmink in Davisburg, MI\u003cbr\u003eMixed by Nick Diener at Oneder Studios\u003cbr\u003eMastered by Carl Saff at Saff Mastering\u003cbr\u003e\u003cbr\u003eAdditional Tracking by Seth Beck at Rat Future\u003cbr\u003eAdditional Tracking by Nick Diener at Oneder Studios\u003cbr\u003eKeys on Red Rocket by Seth Beck\u003cbr\u003e\u003cbr\u003eArtwork by Olivia Sullivan Illustration\u003cbr\u003eDesign and Additional Illustration by Keeley Laures\u003cbr\u003ePhotography by Kat Nijmeddin\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eTRACK LISTING:\u003c\/strong\u003e\u003cbr\u003e01. Die In Love\u003cbr\u003e02. Same But Different Now\u003cbr\u003e03. Country Girl\u003cbr\u003e04. Red Rocket\u003cbr\u003e05. Emptiness is Everywhere\u003cbr\u003e06. August Underground\u003cbr\u003e07. Small Town Cemetery\u003cbr\u003e08. Motherfucker\u003cbr\u003e09. Love Me When You Leave\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePRESSING INFO:\u003cbr\u003eFirst Press:\u003c\/strong\u003e\u003cbr\u003e300 x Candied Heart (Deathwish Exclusive)\u003cbr\u003e300 x Headstone (Band Exclusive)\u003cbr\u003e500 x Ritual (Retail)\u003cbr\u003e500 x Capricorn (Indie)\u003c\/div\u003e","brand":"Deathwish","offers":[{"title":"4th Press - Iceberg ltd 500","offer_id":56699267907970,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true},{"title":"3rd Press - Midnight Eye ltd 1000","offer_id":56347313701250,"sku":"DW-255-v4","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"2nd Press - Poltergeist ltd 500","offer_id":56699280654722,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false},{"title":"1st Press - Candied Heart (Deathwish Exclusive) ltd 300","offer_id":55128804557186,"sku":"DW-255-v1","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"1st Press - Ritual ltd 500","offer_id":55128804589954,"sku":"DW-255-v2","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"1st Press - Capricorn (Indie) ltd 500","offer_id":55128804622722,"sku":"DW-255-v3","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"3rd Press -","offer_id":56699298611586,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/iceberg.png?v=1781018403"},{"product_id":"mad-honey-bridge-over-cumberland-lp","title":"Mad Honey 'Bridge Over Cumberland' LP","description":"\u003cp\u003e🚛 - Pre-Order expected to ship June 19th 2026\u003c\/p\u003e\n\u003cdiv\u003eOur connections with those around us are inherently transient, yet we often find ourselves defined by them. And if we find ourselves defined by these connections, what are we left with when they inevitably come to an end? This is arguably the central question of “Bridge Over Cumberland”, which marks a bold step forward for Mad Honey, as the Oklahoma City band’s second full-length release on Deathwish Inc. and Sunday Drive Records is confident, assured, and undoubtedly their most complete work to date.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDebuting in 2018, Mad Honey quickly became one of the buzziest acts in the prolific OKC shoegaze scene, with lead vocalist Tuff Sutcliffe’s poignant lyricism serving as an enigmatic centerpiece. For this album, the band’s most collaborative effort yet, the production allows Sutcliffe’s shadowy presence to stand tall against a backdrop of billowing guitars. The eleven tracks unfold as a series of snapshots tracing the silhouettes of heartaches both platonic and romantic, both quotidian and cosmic. The intrinsic tension of codependency is explored in the couplet of “Somehow” and “Past Together Isn’t Presence”, as the former opens with Sutcliffe sardonically lamenting “the way that I miss him, I should be put down” while in the latter, the other party is the one who is pining. Anyone who has dealt with the ending stages of a fading friendship or a moribund romance will find something to relate to here, whether it’s the curse of inauspicious timing and the ground that the connection was built on seemingly shifting underneath your feet in the propulsive “James Gets His Rose” or “Moshfeghian” examining the question of whether it’s possible for anyone to win in these situations against the backdrop of a dooming, droning guitar riff.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the opening track “I Am a Wall, I Am a House”, there’s a recurring motif of exploring our connections through the structures we inhabit. These structures often stand tall across multiple generations, persisting well beyond the fleeting lives of the people who have built and occupied them. How many breakups have the walls of our houses seen over the years? How many failed talking stages have left people curled up on the floors of their apartments? How long does a trace of a former friend’s presence linger in the fabric of your curtains after they’ve left your place for the last time? Do these structures judge us on how long we take to pick up the pieces of our lives and find ourselves once again in the aftermath of losing someone who served as a prism through which we viewed the world and our place in it?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis all culminates in the towering title track to close out the album, which surely stands as Mad Honey’s most notable achievement thus far. In it, we survey the waning embers of a fire which once burned bright. The bed is greening over. Sutcliffe is burning every bridge, but keeping the ordinary, pedestrian moments which ultimately define our lives. She’s pondering whether her dreams lie in the Tennessee hills where she grew up, rather than the Oklahoma plains where she currently resides. By the time a gentle piano denouement carries us to the conclusion of the song cycle, we’re left with the sense that in spite of Sutcliffe so often finding herself unmoored and dealing with all of the ways in which deep feelings seemingly define us and threaten to destroy us when an important interpersonal dynamic comes to its inescapable conclusion, there’s ultimately a quiet conviction that all of this emotional pain can eventually result in hard-won growth. “Bridge Over Cumberland” therefore suggests that if you define yourself by these connections, what you are left with when they come to their inevitable end is a crossroads, both a risk of self-destruction and an opportunity for reinvention. It’s a tense, nervy conclusion, but also an empowering one. And given the accomplishment that this album represents, we can find solace in the fact that this time, reinvention has won out.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e01. I Am a Wall, I Am a House\u003cbr\u003e02. James Gets His Rose\u003cbr\u003e03. Reaching\u003cbr\u003e04. Somehow\u003cbr\u003e05. Past Together Isn't Presence\u003cbr\u003e06. Natchez Trace Parkway\u003cbr\u003e07. Moshfeghian\u003cbr\u003e08. Marie's Song\u003cbr\u003e09. Leiper's Fork\u003cbr\u003e10. Twelve Boyfriends\u003cbr\u003e11. Bridge Over Cumberland\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePressing Info:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFirst Press:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e100 x Metallic Gold (Deathwish Exclusive)\u003cbr\u003e100 x Red Marble (Sunday Drive Exclusive)\u003cbr\u003e200 x Grey in Cloudy Clear (Mad Honey Exclusive)\u003c\/div\u003e\n\u003cdiv\u003e300 x Cloudy Clear\u003cbr\u003e200 x Half Black \/ Half Clear (Indie Exclusive)\u003c\/div\u003e","brand":"Deathwish\/Sunday Drive Records","offers":[{"title":"LP - Half Black \/ Half Clear (Indie Exclusive)","offer_id":56518384845186,"sku":"DW-269","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Cloudy Clear","offer_id":56518384877954,"sku":"DW-270","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/madhoneyindies.png?v=1774813564"},{"product_id":"mad-honey-bridge-over-cumberland-cd","title":"Mad Honey 'Bridge Over Cumberland' CD","description":"\u003cp\u003e🚛 - Pre-Order expected to ship June 19th 2026\u003c\/p\u003e\n\u003cdiv\u003eOur connections with those around us are inherently transient, yet we often find ourselves defined by them. And if we find ourselves defined by these connections, what are we left with when they inevitably come to an end? This is arguably the central question of “Bridge Over Cumberland”, which marks a bold step forward for Mad Honey, as the Oklahoma City band’s second full-length release on Deathwish Inc. and Sunday Drive Records is confident, assured, and undoubtedly their most complete work to date.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDebuting in 2018, Mad Honey quickly became one of the buzziest acts in the prolific OKC shoegaze scene, with lead vocalist Tuff Sutcliffe’s poignant lyricism serving as an enigmatic centerpiece. For this album, the band’s most collaborative effort yet, the production allows Sutcliffe’s shadowy presence to stand tall against a backdrop of billowing guitars. The eleven tracks unfold as a series of snapshots tracing the silhouettes of heartaches both platonic and romantic, both quotidian and cosmic. The intrinsic tension of codependency is explored in the couplet of “Somehow” and “Past Together Isn’t Presence”, as the former opens with Sutcliffe sardonically lamenting “the way that I miss him, I should be put down” while in the latter, the other party is the one who is pining. Anyone who has dealt with the ending stages of a fading friendship or a moribund romance will find something to relate to here, whether it’s the curse of inauspicious timing and the ground that the connection was built on seemingly shifting underneath your feet in the propulsive “James Gets His Rose” or “Moshfeghian” examining the question of whether it’s possible for anyone to win in these situations against the backdrop of a dooming, droning guitar riff.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the opening track “I Am a Wall, I Am a House”, there’s a recurring motif of exploring our connections through the structures we inhabit. These structures often stand tall across multiple generations, persisting well beyond the fleeting lives of the people who have built and occupied them. How many breakups have the walls of our houses seen over the years? How many failed talking stages have left people curled up on the floors of their apartments? How long does a trace of a former friend’s presence linger in the fabric of your curtains after they’ve left your place for the last time? Do these structures judge us on how long we take to pick up the pieces of our lives and find ourselves once again in the aftermath of losing someone who served as a prism through which we viewed the world and our place in it?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis all culminates in the towering title track to close out the album, which surely stands as Mad Honey’s most notable achievement thus far. In it, we survey the waning embers of a fire which once burned bright. The bed is greening over. Sutcliffe is burning every bridge, but keeping the ordinary, pedestrian moments which ultimately define our lives. She’s pondering whether her dreams lie in the Tennessee hills where she grew up, rather than the Oklahoma plains where she currently resides. By the time a gentle piano denouement carries us to the conclusion of the song cycle, we’re left with the sense that in spite of Sutcliffe so often finding herself unmoored and dealing with all of the ways in which deep feelings seemingly define us and threaten to destroy us when an important interpersonal dynamic comes to its inescapable conclusion, there’s ultimately a quiet conviction that all of this emotional pain can eventually result in hard-won growth. “Bridge Over Cumberland” therefore suggests that if you define yourself by these connections, what you are left with when they come to their inevitable end is a crossroads, both a risk of self-destruction and an opportunity for reinvention. It’s a tense, nervy conclusion, but also an empowering one. And given the accomplishment that this album represents, we can find solace in the fact that this time, reinvention has won out.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e01. I Am a Wall, I Am a House\u003cbr\u003e02. James Gets His Rose\u003cbr\u003e03. Reaching\u003cbr\u003e04. Somehow\u003cbr\u003e05. Past Together Isn't Presence\u003cbr\u003e06. Natchez Trace Parkway\u003cbr\u003e07. Moshfeghian\u003cbr\u003e08. Marie's Song\u003cbr\u003e09. Leiper's Fork\u003cbr\u003e10. Twelve Boyfriends\u003cbr\u003e11. Bridge Over Cumberland\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePressing Info:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFirst Press:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e100 x Metallic Gold (Deathwish Exclusive)\u003cbr\u003e100 x Red Marble (Sunday Drive Exclusive)\u003cbr\u003e200 x Grey in Cloudy Clear (Mad Honey Exclusive)\u003c\/div\u003e\n\u003cdiv\u003e300 x Cloudy Clear\u003cbr\u003e200 x Half Black \/ Half Clear (Indie Exclusive)\u003c\/div\u003e","brand":"Deathwish\/Sunday Drive Records","offers":[{"title":"Default Title","offer_id":56518385303938,"sku":"DW-269-CD","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/madhoneycd.png?v=1774907243"},{"product_id":"mad-honey-bridge-over-cumberland-cs","title":"Mad Honey 'Bridge Over Cumberland' CS","description":"\u003cp\u003e🚛 - Pre-Order expected to ship June 19th 2026\u003c\/p\u003e\n\u003cdiv\u003eOur connections with those around us are inherently transient, yet we often find ourselves defined by them. And if we find ourselves defined by these connections, what are we left with when they inevitably come to an end? This is arguably the central question of “Bridge Over Cumberland”, which marks a bold step forward for Mad Honey, as the Oklahoma City band’s second full-length release on Deathwish Inc. and Sunday Drive Records is confident, assured, and undoubtedly their most complete work to date.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDebuting in 2018, Mad Honey quickly became one of the buzziest acts in the prolific OKC shoegaze scene, with lead vocalist Tuff Sutcliffe’s poignant lyricism serving as an enigmatic centerpiece. For this album, the band’s most collaborative effort yet, the production allows Sutcliffe’s shadowy presence to stand tall against a backdrop of billowing guitars. The eleven tracks unfold as a series of snapshots tracing the silhouettes of heartaches both platonic and romantic, both quotidian and cosmic. The intrinsic tension of codependency is explored in the couplet of “Somehow” and “Past Together Isn’t Presence”, as the former opens with Sutcliffe sardonically lamenting “the way that I miss him, I should be put down” while in the latter, the other party is the one who is pining. Anyone who has dealt with the ending stages of a fading friendship or a moribund romance will find something to relate to here, whether it’s the curse of inauspicious timing and the ground that the connection was built on seemingly shifting underneath your feet in the propulsive “James Gets His Rose” or “Moshfeghian” examining the question of whether it’s possible for anyone to win in these situations against the backdrop of a dooming, droning guitar riff.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the opening track “I Am a Wall, I Am a House”, there’s a recurring motif of exploring our connections through the structures we inhabit. These structures often stand tall across multiple generations, persisting well beyond the fleeting lives of the people who have built and occupied them. How many breakups have the walls of our houses seen over the years? How many failed talking stages have left people curled up on the floors of their apartments? How long does a trace of a former friend’s presence linger in the fabric of your curtains after they’ve left your place for the last time? Do these structures judge us on how long we take to pick up the pieces of our lives and find ourselves once again in the aftermath of losing someone who served as a prism through which we viewed the world and our place in it?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis all culminates in the towering title track to close out the album, which surely stands as Mad Honey’s most notable achievement thus far. In it, we survey the waning embers of a fire which once burned bright. The bed is greening over. Sutcliffe is burning every bridge, but keeping the ordinary, pedestrian moments which ultimately define our lives. She’s pondering whether her dreams lie in the Tennessee hills where she grew up, rather than the Oklahoma plains where she currently resides. By the time a gentle piano denouement carries us to the conclusion of the song cycle, we’re left with the sense that in spite of Sutcliffe so often finding herself unmoored and dealing with all of the ways in which deep feelings seemingly define us and threaten to destroy us when an important interpersonal dynamic comes to its inescapable conclusion, there’s ultimately a quiet conviction that all of this emotional pain can eventually result in hard-won growth. “Bridge Over Cumberland” therefore suggests that if you define yourself by these connections, what you are left with when they come to their inevitable end is a crossroads, both a risk of self-destruction and an opportunity for reinvention. It’s a tense, nervy conclusion, but also an empowering one. And given the accomplishment that this album represents, we can find solace in the fact that this time, reinvention has won out.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e01. I Am a Wall, I Am a House\u003cbr\u003e02. James Gets His Rose\u003cbr\u003e03. Reaching\u003cbr\u003e04. Somehow\u003cbr\u003e05. Past Together Isn't Presence\u003cbr\u003e06. Natchez Trace Parkway\u003cbr\u003e07. Moshfeghian\u003cbr\u003e08. Marie's Song\u003cbr\u003e09. Leiper's Fork\u003cbr\u003e10. Twelve Boyfriends\u003cbr\u003e11. 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Throughout its 11 tracks, Snag exhibit the expansion of their sound in both directions-at times more melodic and others more aggressive than their previous releases.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSnag’s lyrical approach has often been more universal, focusing on broader themes like climate anxiety and apocalyptic dread. Many of the lyrics on \u003c\/span\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e show the band looking inward, drawing on the band members’ personal experiences with chronic illness and mental health obstacles. “After going through some mental health struggles this past year, and being in a relationship with someone who is chronically ill, being part of writing this album has helped me through some of those struggles,” says drummer and vocalist Bryan Wysocki. “The album is an odyssey through all the cages one may be trapped in whether it be physically, mentally, as a product of society or as a product of our own being.” The theme of cages weaves its way throughout the lyrics of the album; on “Unarrest Me”, it’s the physical cage of a jail cell, on “Debilitated”, it’s the cage of one's own body, on “Shelf Life”, it’s the cage of materialism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the beginning, acting on the message has always been a part of Snag’s agenda, with the lyrics serving as a suggestion for active involvement. Along with the imperative lyric sheet, their self-titled debut LP also came with a book of matches and an envelope of seeds, encouraging the listener to help grow new habitats for pollinators. For \u003c\/span\u003e\u003cem\u003eAll The Cages\u003c\/em\u003e\u003cspan\u003e, the band once again chose to use the LP format as a means for action, working with the Florida-based organization Wire of Hope to include individually labeled envelopes to inmates as an invitation for listeners to have a prison pen pal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” says bassist and vocalist Peter Murphy. “It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert. And hopefully foster friendship and connection as well.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe intentionality of the band's lyrical approach extends to the music, as well. Snag has always been far more than a mere throwback, consciously bringing something new to a subgenre that often does little to move beyond the influence of its forebearers. \u003c\/span\u003e\u003cem\u003eAll The Cages\u003c\/em\u003e\u003cspan\u003e sees the band continue on this path, recalling the sounds of progressive and dynamic acts like Majority Rule, Welcome the Plague Year, and Kidcrash. “We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions” says Murphy. “That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of those moments is the track “Juneberry”, a somber Americana-tinged track that features splashes of pedal steel, horns and layered harmonies. For Snag, “Juneberry” could have easily been a sore thumb, but they succeeded in seamlessly incorporating newer elements into their sound without sounding forced. “Whisper” subtly recalls acts like Sigur Ros with its chord progression, trading the menacing riffage for something more melodic and sentimental.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Pray for Peace” features driving, downstrummed Wipers-indebted rhythm guitars that show a more straight-forward side of Snag, before giving way to unrelenting blast beats and an eventual piano coda. The use of piano continues on “Paris, WI”, a haunting ballad that nods to Thee Silver Mount Zion and Pygmy Lush.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e marks the band’s first time working with Deathwish Inc, the stalwart label known for championing some of modern aggressive music's best and most forward-thinking acts. For Snag , who previously worked with smaller DIY labels like Middle Man and Zegema Beach, working with Deathwish was an opportunity to continue the tradition on a larger scale.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Deathwish has been responsible for some of our absolute favorite releases,” said Szymborski. “We had been working with them on distribution here and there since around 2021, and the pieces finally came together for a proper release this year.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUltimately, now a decade into their existence, Snag continues to be one of the most unique voices in modern DIY hardcore. The members’ commitment to the band can be seen as largely personal; they need the music as much as it needs them. Beyond that, it’s quite simple: they have yet to grow bored with the thing that captured their attention and imaginations as kids.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“When we started the band we were in some of the most depressive periods of our lives, and it offered an outlet, camaraderie, and hope,” says Wysocki. “It hasn’t stopped since.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSnag’s third LP,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAll The Cages Holding Us Will One Day Turn To Dust is set for release on July 10 via Deathwish Inc. Lead single “Debilitated” is currently available on all major streaming platforms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACK LISTING:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e01. Unarrest Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Debilitated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Pray for Peace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Sunburn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Juneberry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Whisper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Shelf Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Paris, WI\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Foam Cup, Pt. 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Cages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Cages (Reprise)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePRESSING INFO:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e250 x Juneberry (DW Exclusive)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e250 x Copper Emerald (Tour Exclusive)\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Default Title","offer_id":56657141301634,"sku":"DW-272","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/snagvinyl.png?v=1779119414"},{"product_id":"snag-all-the-cages-holding-us-will-one-day-turn-to-dust-cd","title":"Snag 'All The Cages Holding Us Will One Day Turn To Dust' CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhether you choose to label it screamo, emo-violence or skramz, one thing we can agree on is that many bands live by the mantra of “here today, gone today”. Whether intentional or simply burning brightly before running out ideas, it's somewhat uncommon for acts to make it past the three year mark. Since their formation in 2016, Milwaukee trio Snag have quietly carved out their own unique space in the DIY underground, quickly becoming a favorite of listeners hungry for emotional hardcore that delivered more than just aimless chaos. On \u003c\/span\u003e\u003cem\u003eAll The Cages Holding Us Will One Day Turn To Dust,\u003c\/em\u003e\u003cspan\u003e the band's third LP and first for Deathwish Inc\u003c\/span\u003e\u003cem\u003e,\u003c\/em\u003e\u003cspan\u003e Snag continue to develop their brand of heavy emo, expanding melodically and texturally without losing their edge. “Musically, the album is punishing at moments; fast and heavy but also soft and beautiful” says guitarist and vocalist Samm Szymborski. “We wanted to write something that spans all things musically that we are interested in. We wanted to write an album that goes straight to the point and represents Snag as a whole.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWorking with engineer Nick Elert, the album was tracked live over the course of three days in July 2025, adding vocals a month later after experiencing an unexpected power outage at the studio. Compared to the band's prior output, \u003c\/span\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e is a little more spacious in its production, with Elert introducing a touch of ambiance into the Snag sonic world that’s a welcome addition. The frantic start and stop tempos, the panic-stricken screams and melancholic chord progressions are all still there, but the album displays plenty of growth as well. Throughout its 11 tracks, Snag exhibit the expansion of their sound in both directions-at times more melodic and others more aggressive than their previous releases.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSnag’s lyrical approach has often been more universal, focusing on broader themes like climate anxiety and apocalyptic dread. Many of the lyrics on \u003c\/span\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e show the band looking inward, drawing on the band members’ personal experiences with chronic illness and mental health obstacles. “After going through some mental health struggles this past year, and being in a relationship with someone who is chronically ill, being part of writing this album has helped me through some of those struggles,” says drummer and vocalist Bryan Wysocki. “The album is an odyssey through all the cages one may be trapped in whether it be physically, mentally, as a product of society or as a product of our own being.” The theme of cages weaves its way throughout the lyrics of the album; on “Unarrest Me”, it’s the physical cage of a jail cell, on “Debilitated”, it’s the cage of one's own body, on “Shelf Life”, it’s the cage of materialism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the beginning, acting on the message has always been a part of Snag’s agenda, with the lyrics serving as a suggestion for active involvement. Along with the imperative lyric sheet, their self-titled debut LP also came with a book of matches and an envelope of seeds, encouraging the listener to help grow new habitats for pollinators. For \u003c\/span\u003e\u003cem\u003eAll The Cages\u003c\/em\u003e\u003cspan\u003e, the band once again chose to use the LP format as a means for action, working with the Florida-based organization Wire of Hope to include individually labeled envelopes to inmates as an invitation for listeners to have a prison pen pal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” says bassist and vocalist Peter Murphy. “It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert. And hopefully foster friendship and connection as well.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe intentionality of the band's lyrical approach extends to the music, as well. Snag has always been far more than a mere throwback, consciously bringing something new to a subgenre that often does little to move beyond the influence of its forebearers. \u003c\/span\u003e\u003cem\u003eAll The Cages\u003c\/em\u003e\u003cspan\u003e sees the band continue on this path, recalling the sounds of progressive and dynamic acts like Majority Rule, Welcome the Plague Year, and Kidcrash. “We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions” says Murphy. “That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of those moments is the track “Juneberry”, a somber Americana-tinged track that features splashes of pedal steel, horns and layered harmonies. For Snag, “Juneberry” could have easily been a sore thumb, but they succeeded in seamlessly incorporating newer elements into their sound without sounding forced. “Whisper” subtly recalls acts like Sigur Ros with its chord progression, trading the menacing riffage for something more melodic and sentimental.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Pray for Peace” features driving, downstrummed Wipers-indebted rhythm guitars that show a more straight-forward side of Snag, before giving way to unrelenting blast beats and an eventual piano coda. The use of piano continues on “Paris, WI”, a haunting ballad that nods to Thee Silver Mount Zion and Pygmy Lush.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e marks the band’s first time working with Deathwish Inc, the stalwart label known for championing some of modern aggressive music's best and most forward-thinking acts. For Snag , who previously worked with smaller DIY labels like Middle Man and Zegema Beach, working with Deathwish was an opportunity to continue the tradition on a larger scale.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Deathwish has been responsible for some of our absolute favorite releases,” said Szymborski. “We had been working with them on distribution here and there since around 2021, and the pieces finally came together for a proper release this year.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUltimately, now a decade into their existence, Snag continues to be one of the most unique voices in modern DIY hardcore. The members’ commitment to the band can be seen as largely personal; they need the music as much as it needs them. Beyond that, it’s quite simple: they have yet to grow bored with the thing that captured their attention and imaginations as kids.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“When we started the band we were in some of the most depressive periods of our lives, and it offered an outlet, camaraderie, and hope,” says Wysocki. “It hasn’t stopped since.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSnag’s third LP,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAll The Cages Holding Us Will One Day Turn To Dust is set for release on July 10 via Deathwish Inc. Lead single “Debilitated” is currently available on all major streaming platforms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACK LISTING:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e01. Unarrest Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Debilitated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Pray for Peace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Sunburn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Juneberry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Whisper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Shelf Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Paris, WI\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Foam Cup, Pt. 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Cages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Cages (Reprise)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePRESSING INFO:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e250 x Juneberry (DW Exclusive)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e250 x Copper Emerald (Tour Exclusive)\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Default Title","offer_id":56657141563778,"sku":"DW-272-CD","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/Snag-AllTheCagesHoldingUsWillOneDayTurnToDust-CD.png?v=1779119649"},{"product_id":"snag-all-the-cages-holding-us-will-one-day-turn-to-dust-cs","title":"Snag 'All The Cages Holding Us Will One Day Turn To Dust' CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhether you choose to label it screamo, emo-violence or skramz, one thing we can agree on is that many bands live by the mantra of “here today, gone today”. Whether intentional or simply burning brightly before running out ideas, it's somewhat uncommon for acts to make it past the three year mark. Since their formation in 2016, Milwaukee trio Snag have quietly carved out their own unique space in the DIY underground, quickly becoming a favorite of listeners hungry for emotional hardcore that delivered more than just aimless chaos. On \u003c\/span\u003e\u003cem\u003eAll The Cages Holding Us Will One Day Turn To Dust,\u003c\/em\u003e\u003cspan\u003e the band's third LP and first for Deathwish Inc\u003c\/span\u003e\u003cem\u003e,\u003c\/em\u003e\u003cspan\u003e Snag continue to develop their brand of heavy emo, expanding melodically and texturally without losing their edge. “Musically, the album is punishing at moments; fast and heavy but also soft and beautiful” says guitarist and vocalist Samm Szymborski. “We wanted to write something that spans all things musically that we are interested in. We wanted to write an album that goes straight to the point and represents Snag as a whole.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWorking with engineer Nick Elert, the album was tracked live over the course of three days in July 2025, adding vocals a month later after experiencing an unexpected power outage at the studio. Compared to the band's prior output, \u003c\/span\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e is a little more spacious in its production, with Elert introducing a touch of ambiance into the Snag sonic world that’s a welcome addition. The frantic start and stop tempos, the panic-stricken screams and melancholic chord progressions are all still there, but the album displays plenty of growth as well. Throughout its 11 tracks, Snag exhibit the expansion of their sound in both directions-at times more melodic and others more aggressive than their previous releases.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSnag’s lyrical approach has often been more universal, focusing on broader themes like climate anxiety and apocalyptic dread. Many of the lyrics on \u003c\/span\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e show the band looking inward, drawing on the band members’ personal experiences with chronic illness and mental health obstacles. “After going through some mental health struggles this past year, and being in a relationship with someone who is chronically ill, being part of writing this album has helped me through some of those struggles,” says drummer and vocalist Bryan Wysocki. “The album is an odyssey through all the cages one may be trapped in whether it be physically, mentally, as a product of society or as a product of our own being.” The theme of cages weaves its way throughout the lyrics of the album; on “Unarrest Me”, it’s the physical cage of a jail cell, on “Debilitated”, it’s the cage of one's own body, on “Shelf Life”, it’s the cage of materialism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the beginning, acting on the message has always been a part of Snag’s agenda, with the lyrics serving as a suggestion for active involvement. Along with the imperative lyric sheet, their self-titled debut LP also came with a book of matches and an envelope of seeds, encouraging the listener to help grow new habitats for pollinators. For \u003c\/span\u003e\u003cem\u003eAll The Cages\u003c\/em\u003e\u003cspan\u003e, the band once again chose to use the LP format as a means for action, working with the Florida-based organization Wire of Hope to include individually labeled envelopes to inmates as an invitation for listeners to have a prison pen pal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The logic that says a corporation can destroy the planet to extract profit from it systematically is the same basic logic that says humans can be systematically caged for profit,” says bassist and vocalist Peter Murphy. “It’s probably safe to say every person who hears this album is a lot closer to being incarcerated than to being one of the billionaires that seek ever more control. We thought we could make that connection much more explicit with a homework assignment in the record insert. And hopefully foster friendship and connection as well.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe intentionality of the band's lyrical approach extends to the music, as well. Snag has always been far more than a mere throwback, consciously bringing something new to a subgenre that often does little to move beyond the influence of its forebearers. \u003c\/span\u003e\u003cem\u003eAll The Cages\u003c\/em\u003e\u003cspan\u003e sees the band continue on this path, recalling the sounds of progressive and dynamic acts like Majority Rule, Welcome the Plague Year, and Kidcrash. “We made a decision a long time ago to simply make the music that we like and to not try to fit into genre conventions” says Murphy. “That decision gave us permission to try different instrumentation and stylistic approaches to songs, which resulted in a few unusual moments on this album.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of those moments is the track “Juneberry”, a somber Americana-tinged track that features splashes of pedal steel, horns and layered harmonies. For Snag, “Juneberry” could have easily been a sore thumb, but they succeeded in seamlessly incorporating newer elements into their sound without sounding forced. “Whisper” subtly recalls acts like Sigur Ros with its chord progression, trading the menacing riffage for something more melodic and sentimental.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Pray for Peace” features driving, downstrummed Wipers-indebted rhythm guitars that show a more straight-forward side of Snag, before giving way to unrelenting blast beats and an eventual piano coda. The use of piano continues on “Paris, WI”, a haunting ballad that nods to Thee Silver Mount Zion and Pygmy Lush.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll the Cages\u003c\/em\u003e\u003cspan\u003e marks the band’s first time working with Deathwish Inc, the stalwart label known for championing some of modern aggressive music's best and most forward-thinking acts. For Snag , who previously worked with smaller DIY labels like Middle Man and Zegema Beach, working with Deathwish was an opportunity to continue the tradition on a larger scale.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Deathwish has been responsible for some of our absolute favorite releases,” said Szymborski. “We had been working with them on distribution here and there since around 2021, and the pieces finally came together for a proper release this year.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUltimately, now a decade into their existence, Snag continues to be one of the most unique voices in modern DIY hardcore. The members’ commitment to the band can be seen as largely personal; they need the music as much as it needs them. Beyond that, it’s quite simple: they have yet to grow bored with the thing that captured their attention and imaginations as kids.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“When we started the band we were in some of the most depressive periods of our lives, and it offered an outlet, camaraderie, and hope,” says Wysocki. “It hasn’t stopped since.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSnag’s third LP,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAll The Cages Holding Us Will One Day Turn To Dust is set for release on July 10 via Deathwish Inc. Lead single “Debilitated” is currently available on all major streaming platforms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACK LISTING:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e01. Unarrest Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Debilitated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Pray for Peace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Sunburn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Juneberry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Whisper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Shelf Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Paris, WI\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Foam Cup, Pt. 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Cages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Cages (Reprise)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePRESSING INFO:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e250 x Juneberry (DW Exclusive)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e250 x Copper Emerald (Tour Exclusive)\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"Default Title","offer_id":56657143366018,"sku":"DW-272-CS","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/snagcassette.png?v=1779119845"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/collections\/DEATHWISH_b49536de-0708-4b85-9899-19565a18cc58.png?v=1775061688","url":"https:\/\/devildogdistro.com\/collections\/deathwish-pre-order.oembed","provider":"Devil Dog Distro","version":"1.0","type":"link"}