{"title":"NOTHING","description":"","products":[{"product_id":"nothing-guilty-of-everything-10th-anniversary-lp","title":"Nothing \"Guilty Of Everything\" 10th Anniversary LP","description":"\u003cp\u003e\u003cb\u003eLP - Metallic Silver\u003cbr\u003e🚛 In Stock \u0026amp; Shipping now\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhiladelphia shoegaze pillars \u003cstrong\u003eNOTHING\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecelebrate the 10 years of their landmark album\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eGuilty Of Everything\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewith a deluxe anniversary pressing featuring custom packaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTHING\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ereturn with the 10th year anniversary edition of their landmark debut album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eGuilty Of Everything\u003c\/strong\u003e\u003c\/em\u003e. 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Originally released as the record release live stream for The Great Dismal (Relapse Records), this recording is now being released as a one time 12” vinyl pressing. Featuring material performed live from throughout the bands discography, this vinyl release is packaged with photography from the event designed and printed on a full color fold over cover, inserted into a custom printed PVC sleeve. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePressing Info\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e200 - Yellow and Black Pinwheel with Splatter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e300 - Pink, Blue and Orange Mix with Splatter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e300 - Red Blue and Yellow Mix with Splatter (Rough Trade Exclusive)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e500 - Half Silver and Half White With Splatter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1000 - Golden Nugget (Retail)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1- Intro\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2- A Fabricated Life\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3- Say Less\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4- Curse of the Sun\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5- Hymn to the Pillory\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6- Bernie Sanders\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7- Carpenter's Son\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8- Famine Asylum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9- The Great Dismal\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Closed Casket Activities","offers":[{"title":"Default Title","offer_id":49776895983889,"sku":"CCA-092","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/Nothing.png?v=1719241639"},{"product_id":"nothing-dance-on-the-blacktop-lp","title":"Nothing \"Dance On The Blacktop\" LP","description":"\u003cp\u003e\u003cstrong\u003eLP - Black Ice\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eNothing's third full-length recording, \u003ci\u003eDance On The Blacktop\u003c\/i\u003e, is the next chapter in the band’s tumultuous story and like its predecessors, pulls from all corners of life with a focus on the bleak and despairing. Captured by renowned producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) at Dreamland Studio in Woodstock, NY, \u003ci\u003eDance On The Blacktop\u003c\/i\u003e is a stirring collection of songs accentuating the band’s love for all sounds 90s from both sides of the pond; from alternative rock and shoegaze to the realms of pop and post-punk. Across the course of 45 minutes, Nothing weave together nine tales of heightened confusion, anxiety, paranoia, depression and chronic pain juxtaposed against angelic yet apocalyptic, reverberating walls of shimmering sound. \u003ci\u003eDance On The Blacktop\u003c\/i\u003e is a fervent, emotional tour-de-force, the sound of a band at the peak of their individuality. For fans of Smashing Pumpkins, Slowdive, My Bloody Valentine, Beach House, Melody's Echo Chamber and Radiohead.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTrack Listing:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Glow\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Drift\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Tremble\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Shallow Breath\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Aid \u0026amp; Abet\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Collide\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Bleached\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Aurora\u003c\/span\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Default Title","offer_id":54854195315074,"sku":"RR53671","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/NothingBlackIce.png?v=1732650433"},{"product_id":"nothing-tired-of-tomorrow-lp","title":"Nothing 'Tired Of Tomorrow' LP","description":"\u003cp\u003e\u003cstrong\u003eLP - \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eHot Pink Standard Gram\u003c\/span\u003e\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePhiladelphia's \u003c\/span\u003e\u003cstrong\u003eNOTHING\u003c\/strong\u003e\u003cspan\u003e return with \u003c\/span\u003e\u003cem\u003eTired Of Tomorrow\u003c\/em\u003e\u003cspan\u003e, their beautifully profound follow-up to 2014's widely-acclaimed \u003c\/span\u003e\u003cem\u003eGuilty Of Everything\u003c\/em\u003e\u003cspan\u003e. Recorded over the course of a month at Studio 4 with Will Yip (Circa Survive, Title Fight), \u003c\/span\u003e\u003cem\u003eTired Of Tomorrow\u003c\/em\u003e\u003cspan\u003e is a modern, nihilistic take on the triumphant fuzzed-out guitar rock of the 90's, replete with huge hooks and brooding melodies. Much like the events it's based on, the album displays an unparalleled balance of opposites and contradictions, rife with sweet-and-sour themes, downcast grooves, infectious choruses, and blissfully expansive washes of sound. With \u003c\/span\u003e\u003cem\u003eTired Of Tomorrow\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eNOTHING\u003c\/strong\u003e\u003cspan\u003e have worked the deepest influences of their youth and maturation into a confident, memorable album that is sure to soothe old wounds while simultaneously opening up new ones.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Default Title","offer_id":54854198296962,"sku":"RRR53651","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/nothingtired_17521a5a-cc20-45f8-8418-ba980738db21.png?v=1773069716"},{"product_id":"nothing-a-short-history-of-decay-lp","title":"Nothing \"a short history of decay' LP","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. never come never morning\u003c\/div\u003e\n\u003cdiv\u003e2. cannibal world\u003c\/div\u003e\n\u003cdiv\u003e3. a short history of decay\u003c\/div\u003e\n\u003cdiv\u003e4. the rain don’t care\u003c\/div\u003e\n\u003cdiv\u003e5. purple strings\u003c\/div\u003e\n\u003cdiv\u003e6. toothless coal\u003c\/div\u003e\n\u003cdiv\u003e7. ballet of the traitor\u003c\/div\u003e\n\u003cdiv\u003e8. nerve scales\u003c\/div\u003e\n\u003cdiv\u003e9. essential tremors\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"LP - Peppermint Pinwheel \/ 1400 (RFC Exclusive)","offer_id":55890379997570,"sku":"RFC-295-LP-C3","price":20.0,"currency_code":"GBP","in_stock":false},{"title":"LP - X-Ray Smoke \/ 3000 (Retail)","offer_id":55890380030338,"sku":"RFC-295-LP-C4","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Candy Corn \/ 2000 (First Run Club Indie Retail)","offer_id":55890380063106,"sku":"RFC-297-FRC","price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/peppermint.png?v=1761813659"},{"product_id":"nothing-a-short-history-of-decay-cd","title":"Nothing \"a short history of decay' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. 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Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. 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