{"title":"RFC \/ NEW RELEASES","description":"","products":[{"product_id":"anxious-bambi-lp-devil-dog-exclusive","title":"Anxious \"Bambi\" LP (Devil Dog Exclusive)","description":"\u003cp\u003e\u003cstrong\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003eAnxious’ second album Bambi arrives this winter on Run For Cover Records. It’s been a whirlwind few years for the Fairfield, Connecticut five-piece – since the release of their debut album Little Green House, there’s been little time for anything other than consistent touring with bands like Bayside, Drug Church and The Wonder Years. Somewhere during that endless grind, vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eBambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better than ever. \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eInspired by “big swing” records like Blink-182’s self-titled or Jimmy Eat World’s Clarity, Anxious set out to redefine the band without losing sight of what made them work in the first place. Tracks like “Head \u0026amp; Spine,” “Sunder,” and “Tell Me Why” showcase the scope of Anxious’ evolution, tapping crunchy ‘90s rock guitarwork, layered ‘60s-esque harmonies, and crisp, modern production that captures the unrivaled energy of seeing the band play live.\u003c\/i\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"LP - Cloudy Clear Glitter Vinyl ltd 300 (Devil Dog Exclusive)","offer_id":56683957617026,"sku":"RFC-280-DD","price":20.0,"currency_code":"GBP","in_stock":false},{"title":"LP - Yellow Vinyl","offer_id":56683957846402,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/AnxiousBambi.png?v=1755772189"},{"product_id":"anxious-bambi-cd","title":"Anxious \"Bambi\" CD","description":"\u003cp\u003e\u003cstrong\u003e💿 - CD\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003eAnxious’ second album Bambi arrives this winter on Run For Cover Records. It’s been a whirlwind few years for the Fairfield, Connecticut five-piece – since the release of their debut album Little Green House, there’s been little time for anything other than consistent touring with bands like Bayside, Drug Church and The Wonder Years. Somewhere during that endless grind, vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eBambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better than ever. \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eInspired by “big swing” records like Blink-182’s self-titled or Jimmy Eat World’s Clarity, Anxious set out to redefine the band without losing sight of what made them work in the first place. Tracks like “Head \u0026amp; Spine,” “Sunder,” and “Tell Me Why” showcase the scope of Anxious’ evolution, tapping crunchy ‘90s rock guitarwork, layered ‘60s-esque harmonies, and crisp, modern production that captures the unrivaled energy of seeing the band play live.\u003c\/i\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":50526218584337,"sku":"RFC-280-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/BambiCD.png?v=1729174172"},{"product_id":"great-grandpa-patience-moonbeam-lp","title":"Great Grandpa \"Patience, Moonbeam\" LP","description":"\u003cp\u003eLP - Blue Vinyl\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003eSix years removed from their last release, Seattle’s Great Grandpa \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ereturn with Patience, Moonbeam - an ambitious and deeply moving \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003enew album that almost didn’t happen. A decade of making music \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003etogether was put on pause while each of the band’s were called in \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003edifferent directions. But as with any good relationship built on mutu-\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eal love, trust, and a mountain of shared history, the quintet reunited, \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003escrapped most ideas of songs they had put together, and started \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003efresh to work on what would become their best album to date, due \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eout in March on Run For Cover Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTRACKLIST\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. Sleep\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Never Rest\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Junior\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Emma\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Ladybug\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Kiss the Dice\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Doom\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e8. Task\u003cbr\u003e9. Top Gun\u003cbr\u003e10. Patience, Moonbeam\u003cbr\u003e11. Ephemera\u003cbr\u003e12. Kid\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":54891135795586,"sku":"RFC-277","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/GreatGrandpa.png?v=1735933664"},{"product_id":"pelican-flickering-resonance-2xlp","title":"Pelican \"Flickering Resonance\" 2xLP","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. Gulch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Evergreen\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Indelible\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Specific Resonance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Cascading Crescent\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Pining For Ever\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Flickering Stillness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Wandering Mind\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePelican has always been a band that’s not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican’s foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ exit in 2022, this reunified version of Pelican allowed the band to tap back into those influences and build something distinctly new with Flickering Resonance. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile longtime Pelican fans will find an updated version of the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters, so too did Quicksand, Christie Front Drive, and Hum. “A lot of people didn’t hear it,” says Schroeder-Lebec. “I was like, well, I guess the metal world is where we fit. But now, I’m willing to acknowledge all the suits we’re wearing.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn Flickering Resonance, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"2xLP - Blue Marble","offer_id":55861731033474,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true},{"title":"2xLP - Half Blue \/ Half Purple","offer_id":54952591524226,"sku":"RFC283lp-c2","price":30.0,"currency_code":"GBP","in_stock":false},{"title":"2xLP - Orange","offer_id":54952591556994,"sku":"RFC283lp-c4","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/pelican2ndpress.png?v=1761215589"},{"product_id":"pelican-flickering-resonance-cd","title":"Pelican \"Flickering Resonance\" CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. Gulch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Evergreen\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Indelible\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Specific Resonance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Cascading Crescent\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Pining For Ever\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Flickering Stillness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Wandering Mind\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePelican has always been a band that’s not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican’s foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ exit in 2022, this reunified version of Pelican allowed the band to tap back into those influences and build something distinctly new with Flickering Resonance. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile longtime Pelican fans will find an updated version of the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters, so too did Quicksand, Christie Front Drive, and Hum. “A lot of people didn’t hear it,” says Schroeder-Lebec. “I was like, well, I guess the metal world is where we fit. But now, I’m willing to acknowledge all the suits we’re wearing.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn Flickering Resonance, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":54952591720834,"sku":"RFC-283-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/PelicanCD.png?v=1738952862"},{"product_id":"graham-hunt-timeless-world-forever-lp","title":"Graham Hunt \"Timeless World Forever\" LP","description":"\u003cp\u003eLP - Baby Blue Vinyl\u003cbr\u003e🚛 - Pre-Order due to ship June 16th\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eI Just Need Enough\u003c\/div\u003e\n\u003cdiv\u003eEast Side Screamer\u003c\/div\u003e\n\u003cdiv\u003eRobot World\u003c\/div\u003e\n\u003cdiv\u003eSpiritual Problems\u003c\/div\u003e\n\u003cdiv\u003eBeen There Done That\u003c\/div\u003e\n\u003cdiv\u003ePower Object\u003c\/div\u003e\n\u003cdiv\u003eFrog in the Shower\u003c\/div\u003e\n\u003cdiv\u003eCave Art\u003c\/div\u003e\n\u003cdiv\u003eCRC\u003c\/div\u003e\n\u003cdiv\u003eMovie Night\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003ci\u003eGraham Hunt has an intuitive ability to carve out his own space within the long, confusing history of American pop music. The Wisconsin-based songwriter has spent the past four years hard at work building records that synthesize timeless guitar pop chops with a layered approach to production and a sly lyrical eye. His music balances the surreal with the quotidian, the melodic with the rhythmic, the cryptic with the triumphant–often proving that slacker playfulness and Heartland earnestness are not mutually exclusive. Timeless World Forever - Hunt’s first release for Run For Cover -  provides closure on a formidable body of songs while opening the gates for a new stage in the artist’s long, prolific career.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eFor years, Hunt has been a staple of the Midwest indie rock world, dating back to his time leading Midnight Reruns and performing with acts like Mike Krol and Disq. In 2019 he released his first solo record, Leaving Silver City, but it was 2022’s If You Knew Would You Believe It? where he hit his stride. The album was quickly followed by Try Not To Laugh in 2023, and now Timeless World Forever picks up those threads. The three records are of a piece: all made in the same Madison basement with a beat-driven density and sonic imagination that is as indebted to rap and rave as power pop.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eIt’s hard to look backwards and forwards at the same time without getting your wheels stuck in some sludgy atemporal mud. By sheer force of commitment, Graham Hunt has made a body of music that makes an argument for experimentation within a tradition— one that invokes both familiarity and mystery. Timeless World Forever is the culmination of a half-decade of growth; it’s the sound of a lifer revving up, shifting into a higher gear, pressing his foot on the pedal, and attacking the highway.\u003c\/i\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55087233991042,"sku":"RFC-","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/GrahamHuntMockup.png?v=1743330022"},{"product_id":"angel-du-t-the-beat-ep","title":"Angel Du$t \"The Beat\" EP","description":"\u003cp\u003e7\" EP - Bubblegum Vinyl ltd 400\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e1. The Knife\u003c\/div\u003e\n\u003cdiv\u003e2. The Beat\u003c\/div\u003e\n\u003cdiv\u003e3. I Don’t Wanna Hear It (ft. Scott Vogel) - 7” exclusive track\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55358299865474,"sku":"RFC-302","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/angeldut.png?v=1751540732"},{"product_id":"v-a-i-will-swim-to-you-a-tribute-to-jason-molina-2xlp","title":"V\/A \"I Will Swim to You: A Tribute to Jason Molina\" 2xLP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e2xLP - “Comet Dust Red”\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. MJ Lenderman - Just Be Simple\u003c\/div\u003e\n\u003cdiv\u003e2. Horse Jumper of Love - Blue Factory Flame\u003c\/div\u003e\n\u003cdiv\u003e3. Trace Mountains - The Dark Don’t Hide It\u003c\/div\u003e\n\u003cdiv\u003e4. Sun June - Leave The City\u003c\/div\u003e\n\u003cdiv\u003e5. Runnner - When Your Love Has Gone\u003c\/div\u003e\n\u003cdiv\u003e6. Sadurn - The Old Black Hen\u003c\/div\u003e\n\u003cdiv\u003e7. Advance Base - Everything Should Try Again\u003c\/div\u003e\n\u003cdiv\u003e8. Hand Habits - Lioness\u003c\/div\u003e\n\u003cdiv\u003e9. Teen Suicide - Whip-Poor-Will\u003c\/div\u003e\n\u003cdiv\u003e10. Friendship - Hard to Love A Man\u003c\/div\u003e\n\u003cdiv\u003e11. Lutalo - Shadow Answers the Wall\u003c\/div\u003e\n\u003cdiv\u003e12. Another Michael - Farewell Transmission\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003eJason Molina was an artist who didn’t like to look back. Throughout the singer-songwriter’s life and career, a restless and evolving creative pulse propelled him forward, training his focus on what was next. His unyielding creativity and work ethic bore sacred fruit. In his short life, Molina achieved what most musicians strive for: a sound that is instantly recognizable but rarely repeats itself. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFrom the banks of Lake Erie in his hometown Lorain, Ohio, to international stages with his bands Songs: Ohia and Magnolia Electric Co., Molina performed his vast catalog of mysterious, romantic, tempestuous, and monumental songs that were at once innovative and rooted in American tradition. He consistently tinkered with his sound, image, band, and homebase in order to sate his muse. Tenor guitar-toting misfit. Lovesick lo-fi indie rocker. Dirgey slowcore bard. 21st century roots-rock trailblazer. Canonical Midwestern songwriter. Jason Molina planted his creative flag in all of these territories — to stake his claim, convey how far he’d traveled, and leave behind a trail of precious talismans.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith I Will Swim to You: A Tribute to Jason Molina — named after a line in Molina’s song “Lioness” — Run For Cover Records and a coterie of affiliated artists honor the songwriter’s enduring impact. The compilation of Molina covers is performed by some of today’s most visionary singer-songwriters, including MJ Lenderman, Hand Habits, Horse Jumper of Love, Sun June and more, and includes singular interpretations of Molina fan favorites and deep cuts from his solo albums and lesser-known EPs. 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Jason Molina - The Last Three Human Words (Demo)\u003c\/div\u003e\n\u003cdiv\u003e2. MJ Lenderman - Just Be Simple (Songs: Ohia Cover)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e7\" Split featuring a rare demo of \"The Last Three Human Words\" by Jason Molina and MJ Lenderman's cover of Song's Ohia's \"Just Be Simple”. 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For over a decade the singer, songwriter and producer Adam Andrzejewski has used the moniker as a wide creative umbrella, under which he’s made a vast body of work that’s as consistently compelling as it is constantly changing. This deft ability to blend sounds and styles has become his calling card, but no matter the genre signifiers–from rap beats, to new wave synths, to goth atmospherics–the beating heart of WPSE is Andrzejewski’s singular voice and esoteric-yet-emotional lyricism. Those key elements have centered the project through musical explorations, and now on his latest full-length, Mossy Oak Shadow, Andrzejewski really puts them to the test. Shedding thumping 808s and intricate production in favor of a no-frills band and sparse live recording, the album is a stirring collection of hazy folk rock songs that prove Wicca Phase Springs Eternal can truly be anything.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003col class=\"MailOutline\"\u003e\n\u003cli\u003eRough Roads\u003c\/li\u003e\n\u003cli\u003eHorseback\u003c\/li\u003e\n\u003cli\u003eEnchantment\u003c\/li\u003e\n\u003cli\u003eI Just Moved Here\u003c\/li\u003e\n\u003cli\u003eMagic Moment\u003c\/li\u003e\n\u003cli\u003eMeet Me Anywhere\u003c\/li\u003e\n\u003cli\u003eLooking Back\u003c\/li\u003e\n\u003cli\u003eI Get It\u003c\/li\u003e\n\u003cli\u003eSettler's Bend\u003c\/li\u003e\n\u003cli\u003eLast Riders Crew\u003c\/li\u003e\n\u003cli\u003eI Was A Runner Once\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55395103834498,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/wiccaphase.png?v=1752181185"},{"product_id":"afi-silver-bleeds-the-black-sun-lp","title":"AFI \"Silver Bleeds The Black Sun...\" LP","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album—sometimes dramatically so—never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It’s an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun…, AFI are once again at the start of a bold new chapter, only this time they’ve even managed to surprise themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHow does a band that’s known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun… AFI set out to purposely change their creative approach all together. This time it started with a conversation: how could they break new ground?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo \u0026amp; the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and post-punk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTRACKLIST \u003cbr\u003e1. 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This time it started with a conversation: how could they break new ground?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo \u0026amp; the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and post-punk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTRACKLIST \u003cbr\u003e1. 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Nooneunderground\u003cbr\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55488770900354,"sku":"RFC-300-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/aficd.png?v=1753694087"},{"product_id":"afi-silver-bleeds-the-black-sun-rfc-first-run-club-lp","title":"AFI \"Silver Bleeds The Black Sun...\" (RFC First Run Club) LP","description":"\u003cp\u003eLP - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLtd to 4000 units on White \/ Violet Vinyl, includes an exclusive 18x24” poster along with a CD sampler and sticker pack\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e🚛 - Sold Out\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album—sometimes dramatically so—never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It’s an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun…, AFI are once again at the start of a bold new chapter, only this time they’ve even managed to surprise themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHow does a band that’s known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun… AFI set out to purposely change their creative approach all together. This time it started with a conversation: how could they break new ground?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo \u0026amp; the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and post-punk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTRACKLIST \u003cbr\u003e1. 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The band carries the torch for one of the most esoteric yet enduring corners of '90s hardcore--whether you call it screamo, skramz, emoviolence, or whatever else, Knumears offer a fresh take on the chaos and catharsis that define this sound. Recorded by Jack Shirley (Deafheaven, Gouge Away, Loma Prieta) at Atomic Garden, \"Breaking Ground\" is an intriguing hint at what's to come from Knumears.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003cbr\u003e\u003c\/strong\u003e1. Breaking Ground\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Information\u003cbr\u003e\u003c\/strong\u003e100 Brown (Band Exclusive)\u003cbr\u003e400 Black\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003eOctober 17, 2025\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55814497272194,"sku":"RFC-313","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/RFC313lp-Black-Store.jpg?v=1760445887"},{"product_id":"angel-du-t-cold-2-the-touch-lp-devil-dog-exclusive","title":"Angel Du$t \"COLD 2 THE TOUCH\" LP (Devil Dog Exclusive)","description":"\u003cp\u003eLP - Purple Swirl ltd 300 (Devil Dog Exclusive)\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s no other band like Angel Du$t. In fact, the singular group is almost defined by how far they stand apart from the pack. So if saying Angel Du$t aren’t like anyone else is a no-brainer, then what are they like? Are they cutting edge genre-destroyers or one of the last authentic guitar bands standing? Are they blunt force aggression incarnate or earnest experimentalists? Are they the hardcore version of an indie band or is it the other way around? You might ask yourself these kinds of questions while taking in the totality of Angel Dust’s decade-plus journey–but the band’s new album, Cold 2 The Touch, suggests that maybe it’s not so complicated after all. Or as vocalist\/mastermind Justice Tripp puts it: ”Angel Du$t is rock \u0026amp; roll.”\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCold 2 The Touch captures this simple fact better than ever before. The 26-minute blast of eclectic and hardhitting music makes it clear that Angel Du$t can’t be contained within the confines of narrow subgenres, and that a term as elemental as rock \u0026amp; roll might actually fit like a glove. This is the band’s most overtly ferocious album in some time–a blender of hard riffs and big hooks that are matched by Tripp’s open-hearted existentialism.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA constellation of collaborators makes Cold 2 The Touch a captivating listen that’s constantly surprising the listener: guitarist Jim Caroll makes his presence especially felt on “Zero,” a veritable Angel Du$t epic that clocks in at over three minutes of spiraling riffs and features vocals from Wes Eisold of American Nightmare and Cold Cave; “Downfall” has the growl of Restraining Order’s Patrick Cozens; “Man On Fire” taps UK punk legend Frank Carter; and “The Beat” includes guttural guest vitriol from Taylor Young of Twitching Tongues, Deadbody, and more.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe album’s final one-two punch of “The Knife” and “The Beat” sum up exactly what makes Angel Du$t such a special band. This is a creative endeavor where heart-on-sleeve musings about the finite nature of life can coexist with the unbridled thrill of violence-enducing riffs, where real humanity can flourish and being true to yourself and your own spectrum of thoughts, interests, and feelings takes primacy above all else. “This is who I am,” says Tripp. “and I speak for the band too: these are people who are always going to be playing aggressive rock \u0026amp; roll. It’s happening whether you like it or not. I’m me, and if you get in my way I’m gonna crush you.”\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55855718007170,"sku":"RFC-290-DD","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/AngelDustDDexc.png?v=1761116552"},{"product_id":"angel-du-t-cold-2-the-touch-cd","title":"Angel Du$t \"COLD 2 THE TOUCH\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s no other band like Angel Du$t. In fact, the singular group is almost defined by how far they stand apart from the pack. So if saying Angel Du$t aren’t like anyone else is a no-brainer, then what are they like? Are they cutting edge genre-destroyers or one of the last authentic guitar bands standing? Are they blunt force aggression incarnate or earnest experimentalists? Are they the hardcore version of an indie band or is it the other way around? You might ask yourself these kinds of questions while taking in the totality of Angel Dust’s decade-plus journey–but the band’s new album, Cold 2 The Touch, suggests that maybe it’s not so complicated after all. Or as vocalist\/mastermind Justice Tripp puts it: ”Angel Du$t is rock \u0026amp; roll.”\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCold 2 The Touch captures this simple fact better than ever before. The 26-minute blast of eclectic and hardhitting music makes it clear that Angel Du$t can’t be contained within the confines of narrow subgenres, and that a term as elemental as rock \u0026amp; roll might actually fit like a glove. This is the band’s most overtly ferocious album in some time–a blender of hard riffs and big hooks that are matched by Tripp’s open-hearted existentialism.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA constellation of collaborators makes Cold 2 The Touch a captivating listen that’s constantly surprising the listener: guitarist Jim Caroll makes his presence especially felt on “Zero,” a veritable Angel Du$t epic that clocks in at over three minutes of spiraling riffs and features vocals from Wes Eisold of American Nightmare and Cold Cave; “Downfall” has the growl of Restraining Order’s Patrick Cozens; “Man On Fire” taps UK punk legend Frank Carter; and “The Beat” includes guttural guest vitriol from Taylor Young of Twitching Tongues, Deadbody, and more.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe album’s final one-two punch of “The Knife” and “The Beat” sum up exactly what makes Angel Du$t such a special band. This is a creative endeavor where heart-on-sleeve musings about the finite nature of life can coexist with the unbridled thrill of violence-enducing riffs, where real humanity can flourish and being true to yourself and your own spectrum of thoughts, interests, and feelings takes primacy above all else. “This is who I am,” says Tripp. “and I speak for the band too: these are people who are always going to be playing aggressive rock \u0026amp; roll. It’s happening whether you like it or not. I’m me, and if you get in my way I’m gonna crush you.”\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55855794684290,"sku":"RFC-293-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/ADCD.png?v=1761120249"},{"product_id":"angel-du-t-cold-2-the-touch-cs","title":"Angel Du$t \"COLD 2 THE TOUCH\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e🚛 - In Stock \u0026amp; Shipping\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s no other band like Angel Du$t. In fact, the singular group is almost defined by how far they stand apart from the pack. So if saying Angel Du$t aren’t like anyone else is a no-brainer, then what are they like? Are they cutting edge genre-destroyers or one of the last authentic guitar bands standing? Are they blunt force aggression incarnate or earnest experimentalists? Are they the hardcore version of an indie band or is it the other way around? You might ask yourself these kinds of questions while taking in the totality of Angel Dust’s decade-plus journey–but the band’s new album, Cold 2 The Touch, suggests that maybe it’s not so complicated after all. Or as vocalist\/mastermind Justice Tripp puts it: ”Angel Du$t is rock \u0026amp; roll.”\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCold 2 The Touch captures this simple fact better than ever before. The 26-minute blast of eclectic and hardhitting music makes it clear that Angel Du$t can’t be contained within the confines of narrow subgenres, and that a term as elemental as rock \u0026amp; roll might actually fit like a glove. This is the band’s most overtly ferocious album in some time–a blender of hard riffs and big hooks that are matched by Tripp’s open-hearted existentialism.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA constellation of collaborators makes Cold 2 The Touch a captivating listen that’s constantly surprising the listener: guitarist Jim Caroll makes his presence especially felt on “Zero,” a veritable Angel Du$t epic that clocks in at over three minutes of spiraling riffs and features vocals from Wes Eisold of American Nightmare and Cold Cave; “Downfall” has the growl of Restraining Order’s Patrick Cozens; “Man On Fire” taps UK punk legend Frank Carter; and “The Beat” includes guttural guest vitriol from Taylor Young of Twitching Tongues, Deadbody, and more.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe album’s final one-two punch of “The Knife” and “The Beat” sum up exactly what makes Angel Du$t such a special band. This is a creative endeavor where heart-on-sleeve musings about the finite nature of life can coexist with the unbridled thrill of violence-enducing riffs, where real humanity can flourish and being true to yourself and your own spectrum of thoughts, interests, and feelings takes primacy above all else. “This is who I am,” says Tripp. “and I speak for the band too: these are people who are always going to be playing aggressive rock \u0026amp; roll. It’s happening whether you like it or not. I’m me, and if you get in my way I’m gonna crush you.”\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55855802024322,"sku":"RFC-290-CS","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/ADcassette.png?v=1761120449"},{"product_id":"guv-warmer-than-gold","title":"GUV  \"Warmer Than Gold\" LP","description":"\u003cp\u003eLP - Black Vinyl\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold, the new album from Ben Cook’s project GUV, is a document of a life in music, a critical and celebratory travelogue, an attempt to transcend the homogeneous and status-obsessed conditions of the contemporary world through the use of big beats, big choruses, and distortion. It’s a record made on the go that makes sense anywhere. And most of all, with its expanded sonic palette and emphasis on breakbeats, it ushers in the newest era of an artist who has never stopped growing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCook, who grew up moving between Toronto and England, boasts anglo bonafides that separate him from the growing pack of hardcore kids sporting windbreakers and bowl cuts. Two of the first shows he attended, at the age of 12, were Oasis and Neil Young. After the show, he remembers thinking, “Yeah, I'm gonna do music forever.” Not long after he discovered hardcore and punk, and it was off to the races, first with his beloved hardcore band, No Warning (who he continues to play with to this day), then as a member of punk experimentalists, Fucked Up, from 2007 to 2021–and all the while building a deep and impressive catalog of solo work first as Young Governor, then Young Guv, and now simply, GUV (“I'm not so young anymore, three letter band names are cool, and I'm tired of being mistaken for a rapper,” Cook notes).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold is the widescreen culmination of all of these threads. The album’s music retains the hooky spirit of Cook’s previous records, like the acclaimed double albums GUVI \u0026amp; II and GUV III \u0026amp; IV, but it adds a decidedly rhythmic element informed by classic Madchester and Britpop. It smears and soars, it feels like bolting down the M1 Motorway at midnight, propelled by an urgency unseen in Cook’s other work. What is retained from those earlier power pop releases, though, is the artist’s sharp ear for hooks; now combined with a recharged production sensibility inspired by everyone from the Beastie Boys to The Field Mice to Primal Scream, Cook is able to musically support the core lyrical themes that run throughout the project: the global flattening of culture, the passage of time in the material world, and the artist’s role within all of it.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55861072953730,"sku":"RFC-290","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/guv.png?v=1761199942"},{"product_id":"guv-warmer-than-gold-cd","title":"GUV  \"Warmer Than Gold\" CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold, the new album from Ben Cook’s project GUV, is a document of a life in music, a critical and celebratory travelogue, an attempt to transcend the homogeneous and status-obsessed conditions of the contemporary world through the use of big beats, big choruses, and distortion. It’s a record made on the go that makes sense anywhere. And most of all, with its expanded sonic palette and emphasis on breakbeats, it ushers in the newest era of an artist who has never stopped growing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCook, who grew up moving between Toronto and England, boasts anglo bonafides that separate him from the growing pack of hardcore kids sporting windbreakers and bowl cuts. Two of the first shows he attended, at the age of 12, were Oasis and Neil Young. After the show, he remembers thinking, “Yeah, I'm gonna do music forever.” Not long after he discovered hardcore and punk, and it was off to the races, first with his beloved hardcore band, No Warning (who he continues to play with to this day), then as a member of punk experimentalists, Fucked Up, from 2007 to 2021–and all the while building a deep and impressive catalog of solo work first as Young Governor, then Young Guv, and now simply, GUV (“I'm not so young anymore, three letter band names are cool, and I'm tired of being mistaken for a rapper,” Cook notes).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold is the widescreen culmination of all of these threads. The album’s music retains the hooky spirit of Cook’s previous records, like the acclaimed double albums GUVI \u0026amp; II and GUV III \u0026amp; IV, but it adds a decidedly rhythmic element informed by classic Madchester and Britpop. It smears and soars, it feels like bolting down the M1 Motorway at midnight, propelled by an urgency unseen in Cook’s other work. What is retained from those earlier power pop releases, though, is the artist’s sharp ear for hooks; now combined with a recharged production sensibility inspired by everyone from the Beastie Boys to The Field Mice to Primal Scream, Cook is able to musically support the core lyrical themes that run throughout the project: the global flattening of culture, the passage of time in the material world, and the artist’s role within all of it.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55861115584898,"sku":"RFC-290-CD","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/guvcd.png?v=1761200265"},{"product_id":"guv-warmer-than-gold-cs","title":"GUV  \"Warmer Than Gold\" CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold, the new album from Ben Cook’s project GUV, is a document of a life in music, a critical and celebratory travelogue, an attempt to transcend the homogeneous and status-obsessed conditions of the contemporary world through the use of big beats, big choruses, and distortion. It’s a record made on the go that makes sense anywhere. And most of all, with its expanded sonic palette and emphasis on breakbeats, it ushers in the newest era of an artist who has never stopped growing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCook, who grew up moving between Toronto and England, boasts anglo bonafides that separate him from the growing pack of hardcore kids sporting windbreakers and bowl cuts. Two of the first shows he attended, at the age of 12, were Oasis and Neil Young. After the show, he remembers thinking, “Yeah, I'm gonna do music forever.” Not long after he discovered hardcore and punk, and it was off to the races, first with his beloved hardcore band, No Warning (who he continues to play with to this day), then as a member of punk experimentalists, Fucked Up, from 2007 to 2021–and all the while building a deep and impressive catalog of solo work first as Young Governor, then Young Guv, and now simply, GUV (“I'm not so young anymore, three letter band names are cool, and I'm tired of being mistaken for a rapper,” Cook notes).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold is the widescreen culmination of all of these threads. The album’s music retains the hooky spirit of Cook’s previous records, like the acclaimed double albums GUVI \u0026amp; II and GUV III \u0026amp; IV, but it adds a decidedly rhythmic element informed by classic Madchester and Britpop. It smears and soars, it feels like bolting down the M1 Motorway at midnight, propelled by an urgency unseen in Cook’s other work. What is retained from those earlier power pop releases, though, is the artist’s sharp ear for hooks; now combined with a recharged production sensibility inspired by everyone from the Beastie Boys to The Field Mice to Primal Scream, Cook is able to musically support the core lyrical themes that run throughout the project: the global flattening of culture, the passage of time in the material world, and the artist’s role within all of it.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55861117387138,"sku":"RFC-290-CS","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/guvtape.png?v=1761200351"},{"product_id":"nothing-a-short-history-of-decay-lp","title":"Nothing \"a short history of decay' LP","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. 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Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. never come never morning\u003c\/div\u003e\n\u003cdiv\u003e2. cannibal world\u003c\/div\u003e\n\u003cdiv\u003e3. a short history of decay\u003c\/div\u003e\n\u003cdiv\u003e4. the rain don’t care\u003c\/div\u003e\n\u003cdiv\u003e5. purple strings\u003c\/div\u003e\n\u003cdiv\u003e6. toothless coal\u003c\/div\u003e\n\u003cdiv\u003e7. ballet of the traitor\u003c\/div\u003e\n\u003cdiv\u003e8. nerve scales\u003c\/div\u003e\n\u003cdiv\u003e9. essential tremors\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55890383176066,"sku":"RFC-295-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/nothingcd.png?v=1762241530"},{"product_id":"nothing-a-short-history-of-decay-cs","title":"Nothing \"a short history of decay' CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. never come never morning\u003c\/div\u003e\n\u003cdiv\u003e2. cannibal world\u003c\/div\u003e\n\u003cdiv\u003e3. a short history of decay\u003c\/div\u003e\n\u003cdiv\u003e4. the rain don’t care\u003c\/div\u003e\n\u003cdiv\u003e5. purple strings\u003c\/div\u003e\n\u003cdiv\u003e6. toothless coal\u003c\/div\u003e\n\u003cdiv\u003e7. ballet of the traitor\u003c\/div\u003e\n\u003cdiv\u003e8. nerve scales\u003c\/div\u003e\n\u003cdiv\u003e9. essential tremors\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55890385273218,"sku":"RFC-295-CS","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/nothingcs_a9c794fb-61bb-4cbd-bcfc-42da099f627b.png?v=1761814379"},{"product_id":"pelican-ascending-12-ep","title":"Pelican 'Ascending' 12\" EP","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePelican has always been a band that’s not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican’s foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with their 2025 LP, Flickering Resonance. \u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eWith multiple legs of touring in the US and Europe supporting the record, Flickering Resonance has reinvigorated and injected new life into the band. The album is already on it’s 3rd vinyl pressing. New fans and old fans alike are digging back into the Pelican catalog which has also resulted in additional represses and reissues of their most beloved titles. \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eWith 3 vinyl represses in just the first year, and multiple legs of touring in the US and Europe to support the record, Pelican has now repackaged an EP of 4 Flickering Resonance era tracks as a new 12” EP - Ascending. Pelican fans will recognize the last two tracks “Adrift” and “Tending the Embers” which were self released digitally in 2024 and were only available physically on a limited number of cassette tapes. This 12” also features a vocal version of Flickering Resonance’s lead single “Cascading Crescent” featuring Geoff Rickly of Thursday. This version of the track was previously only available on a limited number of 7”s so this is the first time that it will be released digitally as well as being made widely available on a physical format. The EP’s title track “Ascending” is a track that was recorded around the same time as Flickering Resonance, but was left off of the album as it felt more like its own distinct entity. Bringing these 4 tracks together onto one EP further cements the idea that Pelican’s rule-free approach is at the core of what makes Pelican a mainstay across all of the genres they explore.\u003c\/i\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e1. Ascending\u003c\/div\u003e\n\u003cdiv\u003e2. Cascading Crescent (ft. Geoff Rickly)\u003c\/div\u003e\n\u003cdiv\u003e3. Adrift\u003c\/div\u003e\n\u003cdiv\u003e4. Tending the Embers\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"12” EP - Half Sand ltd 350","offer_id":56057650217346,"sku":"RFC-310-c1","price":18.0,"currency_code":"GBP","in_stock":false},{"title":"12” EP - Black ltd 500","offer_id":56057650250114,"sku":"RFC-310-c2","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/pelicansand.png?v=1765194017"},{"product_id":"knumears-directions-lp","title":"Knumears 'Directions' LP","description":"\u003cdiv\u003e\n\u003cb\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003cdiv\u003eKnumears understand that they don’t exist in a vacuum. They’re part of a sonic tradition that's been evolving for decades: call it screamo, skramz, post-hardcore, call it anything you want, but it can only be carried on by those who truly love it. The band’s debut album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, is equal parts love letter and cartography project, exploring the genre from its roots in hardcore to the contemporary scene bubbling up on the West Coast, and even contributing to a blueprint for a new generation of screamo fanatics. But perhaps most importantly,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e–like many of the genre’s best releases–is simply about young musicians expressing themselves through some of the most explosively cathartic music imaginable. \n\u003cp dir=\"ltr\"\u003eFor the first five years they’ve been a band, the only constant for Knumears has been movement. Since their inception in 2021, bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole have gone from playing packed local shows with kids screaming, climbing, shouting and dancing, to touring nationally and finding the same fervor and impassioned reactions at venues all across the country. Outside of that chaos, the group found themselves at crossroads in their own lives. They were discovering new relationships, cultivating their personal worlds, and learning to navigate the space between youth and adulthood–all while trying to find the time to forge their debut album. \u003cbr\u003e\u003cbr\u003e“We were all struggling very much creatively when trying to write this album,” explains Cole. “We have several projects outside of Knumears [like vs self, Elm, and Bettin Horses] and I think exploring music that wasn’t necessarily about aggression helped clear some blocks–getting all of the ‘fun’ music out of the way so that we could focus on something deeper that leaves it all on the table.” With studio time on the books with legendary producer\/engineer Jack Shirley (Deafheaven, Joyce Manor, Touche Amore) the band’s writing process suddenly kicked into gear. “A few weeks before our time with Jack, we sat down and basically wrote the whole record. It practically was flowing out of us,” says Cole. \u003c\/p\u003e\nThe result is an album that sounds as urgent and immediate as the feelings it explores.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis steeped in the confusion of exiting adolescence and bracing for what’s next, the challenge of deciding what parts of life will stay with you and what might be left behind. Tracks like “One Light, Sunshine” or “Breaking Ground” delve into this kind of growth and the bonds that help foster it. Cole’s penmanship is sparse yet evocative, and intensely delivered alongside his caterwauling guitar riffs, Garcia’s distorted bass, and Lopez’s acrobatic drumming. “Lyrically I dug deep into the familial aspect of love and hardships,” Cole explains. “When most people think of a love song I think they have such a narrow headspace about it. Your one true love could be your grandma or your best friend, not just a significant other. I wanted to kind of focus on that with these lyrics. A lot of them are about my mother, father, and grandmother, who all shape my creativity a lot.” \n\u003cp dir=\"ltr\"\u003eOn late album standout “Friendly Face” Cole howls “take me with you, we’ll watch the clouds \/ Each shape forming a different sound \/ Lay with me upon a bed of green, we’ll see things that only we can see” referring to the influence of his grandmother with his love for her emanating from the speakers alongside some of the album’s most pummeling instrumentals. “Those lyrics are really personal to me,” he says. “Whenever I'm lost or don't really know who I'm supposed to be, I just think of my childhood and the people that helped me grow.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThroughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, Knumears manage to take classic screamo tropes–the wildly swinging dynamics, the crushing ferocity, the unabashed vulnerability–and reinvigorate them through sheer force of will. “The early screamo bands are special because they didn't have pre-existing bands to try and sound like,” says Cole. “They were screaming because they needed to not because it was cool.” This appreciation for the genre’s forebears is built into the incendiary lead single “Fade Away,” which features a guest appearance from Jerome’s Dream frontman Jeff Smith. The song’s panicked opening riff gives way to a propulsive snare roll, exploding into a full-band attack as Smith’s unhinged voice rips through the finale. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the end Knumears’ ability to encapsulate so much of what’s made screamo exciting and enduring simply comes down to the passion that’s so intrinsic to the genre itself. \"I think what draws us to this type of music, just like everyone else, is the absolute raw emotion,” Cole says. “We all grew up listening to hardcore, and I think that allows you to see the world in a completely different light—both more creatively and intellectually. Not being raised on music that had nothing real to say was the best thing that happened to us.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cbr\u003eTracklist\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1. Introduction\u003c\/div\u003e\n\u003cdiv\u003e2. One Light, Sunshine\u003c\/div\u003e\n\u003cdiv\u003e3. My Name\u003c\/div\u003e\n\u003cdiv\u003e4. Breaking Ground\u003c\/div\u003e\n\u003cdiv\u003e5. Directions\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003cdiv\u003e7. Bridged\u003c\/div\u003e\n\u003cdiv\u003e8. Fade Away\u003c\/div\u003e\n\u003cdiv\u003e9. Friendly Face\u003c\/div\u003e\n\u003cdiv\u003e10. The North\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"LP - Orange \u0026 Black Marble ltd 300 (First Run Club Exclusive)","offer_id":56259149693314,"sku":"RFC-314-LP-c5","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Evergreen ltd 350 (Run For Cover exclusive)","offer_id":56244249559426,"sku":"RFC-314-c2","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Black Ice ltd 700","offer_id":56244249592194,"sku":"RFC-314-c3","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/knumearsfirstrunclub.png?v=1769160015"},{"product_id":"knumears-directions-cd","title":"Knumears 'Directions' CD","description":"\u003cdiv\u003e\n\u003cb\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003cdiv\u003eKnumears understand that they don’t exist in a vacuum. They’re part of a sonic tradition that's been evolving for decades: call it screamo, skramz, post-hardcore, call it anything you want, but it can only be carried on by those who truly love it. The band’s debut album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, is equal parts love letter and cartography project, exploring the genre from its roots in hardcore to the contemporary scene bubbling up on the West Coast, and even contributing to a blueprint for a new generation of screamo fanatics. But perhaps most importantly,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e–like many of the genre’s best releases–is simply about young musicians expressing themselves through some of the most explosively cathartic music imaginable. \n\u003cp dir=\"ltr\"\u003eFor the first five years they’ve been a band, the only constant for Knumears has been movement. Since their inception in 2021, bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole have gone from playing packed local shows with kids screaming, climbing, shouting and dancing, to touring nationally and finding the same fervor and impassioned reactions at venues all across the country. Outside of that chaos, the group found themselves at crossroads in their own lives. They were discovering new relationships, cultivating their personal worlds, and learning to navigate the space between youth and adulthood–all while trying to find the time to forge their debut album. \u003cbr\u003e\u003cbr\u003e“We were all struggling very much creatively when trying to write this album,” explains Cole. “We have several projects outside of Knumears [like vs self, Elm, and Bettin Horses] and I think exploring music that wasn’t necessarily about aggression helped clear some blocks–getting all of the ‘fun’ music out of the way so that we could focus on something deeper that leaves it all on the table.” With studio time on the books with legendary producer\/engineer Jack Shirley (Deafheaven, Joyce Manor, Touche Amore) the band’s writing process suddenly kicked into gear. “A few weeks before our time with Jack, we sat down and basically wrote the whole record. It practically was flowing out of us,” says Cole. \u003c\/p\u003e\nThe result is an album that sounds as urgent and immediate as the feelings it explores.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis steeped in the confusion of exiting adolescence and bracing for what’s next, the challenge of deciding what parts of life will stay with you and what might be left behind. Tracks like “One Light, Sunshine” or “Breaking Ground” delve into this kind of growth and the bonds that help foster it. Cole’s penmanship is sparse yet evocative, and intensely delivered alongside his caterwauling guitar riffs, Garcia’s distorted bass, and Lopez’s acrobatic drumming. “Lyrically I dug deep into the familial aspect of love and hardships,” Cole explains. “When most people think of a love song I think they have such a narrow headspace about it. Your one true love could be your grandma or your best friend, not just a significant other. I wanted to kind of focus on that with these lyrics. A lot of them are about my mother, father, and grandmother, who all shape my creativity a lot.” \n\u003cp dir=\"ltr\"\u003eOn late album standout “Friendly Face” Cole howls “take me with you, we’ll watch the clouds \/ Each shape forming a different sound \/ Lay with me upon a bed of green, we’ll see things that only we can see” referring to the influence of his grandmother with his love for her emanating from the speakers alongside some of the album’s most pummeling instrumentals. “Those lyrics are really personal to me,” he says. “Whenever I'm lost or don't really know who I'm supposed to be, I just think of my childhood and the people that helped me grow.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThroughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, Knumears manage to take classic screamo tropes–the wildly swinging dynamics, the crushing ferocity, the unabashed vulnerability–and reinvigorate them through sheer force of will. “The early screamo bands are special because they didn't have pre-existing bands to try and sound like,” says Cole. “They were screaming because they needed to not because it was cool.” This appreciation for the genre’s forebears is built into the incendiary lead single “Fade Away,” which features a guest appearance from Jerome’s Dream frontman Jeff Smith. The song’s panicked opening riff gives way to a propulsive snare roll, exploding into a full-band attack as Smith’s unhinged voice rips through the finale. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the end Knumears’ ability to encapsulate so much of what’s made screamo exciting and enduring simply comes down to the passion that’s so intrinsic to the genre itself. \"I think what draws us to this type of music, just like everyone else, is the absolute raw emotion,” Cole says. “We all grew up listening to hardcore, and I think that allows you to see the world in a completely different light—both more creatively and intellectually. Not being raised on music that had nothing real to say was the best thing that happened to us.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cbr\u003eTracklist\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1. Introduction\u003c\/div\u003e\n\u003cdiv\u003e2. One Light, Sunshine\u003c\/div\u003e\n\u003cdiv\u003e3. My Name\u003c\/div\u003e\n\u003cdiv\u003e4. Breaking Ground\u003c\/div\u003e\n\u003cdiv\u003e5. Directions\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003cdiv\u003e7. Bridged\u003c\/div\u003e\n\u003cdiv\u003e8. Fade Away\u003c\/div\u003e\n\u003cdiv\u003e9. Friendly Face\u003c\/div\u003e\n\u003cdiv\u003e10. The North\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56244284490114,"sku":"RFC-314-CD","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/knumearscd.png?v=1768995746"},{"product_id":"knumears-directions-cs","title":"Knumears 'Directions' CS","description":"\u003cdiv\u003e\n\u003cb\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003cdiv\u003eKnumears understand that they don’t exist in a vacuum. They’re part of a sonic tradition that's been evolving for decades: call it screamo, skramz, post-hardcore, call it anything you want, but it can only be carried on by those who truly love it. The band’s debut album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, is equal parts love letter and cartography project, exploring the genre from its roots in hardcore to the contemporary scene bubbling up on the West Coast, and even contributing to a blueprint for a new generation of screamo fanatics. But perhaps most importantly,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e–like many of the genre’s best releases–is simply about young musicians expressing themselves through some of the most explosively cathartic music imaginable. \n\u003cp dir=\"ltr\"\u003eFor the first five years they’ve been a band, the only constant for Knumears has been movement. Since their inception in 2021, bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole have gone from playing packed local shows with kids screaming, climbing, shouting and dancing, to touring nationally and finding the same fervor and impassioned reactions at venues all across the country. Outside of that chaos, the group found themselves at crossroads in their own lives. They were discovering new relationships, cultivating their personal worlds, and learning to navigate the space between youth and adulthood–all while trying to find the time to forge their debut album. \u003cbr\u003e\u003cbr\u003e“We were all struggling very much creatively when trying to write this album,” explains Cole. “We have several projects outside of Knumears [like vs self, Elm, and Bettin Horses] and I think exploring music that wasn’t necessarily about aggression helped clear some blocks–getting all of the ‘fun’ music out of the way so that we could focus on something deeper that leaves it all on the table.” With studio time on the books with legendary producer\/engineer Jack Shirley (Deafheaven, Joyce Manor, Touche Amore) the band’s writing process suddenly kicked into gear. “A few weeks before our time with Jack, we sat down and basically wrote the whole record. It practically was flowing out of us,” says Cole. \u003c\/p\u003e\nThe result is an album that sounds as urgent and immediate as the feelings it explores.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis steeped in the confusion of exiting adolescence and bracing for what’s next, the challenge of deciding what parts of life will stay with you and what might be left behind. Tracks like “One Light, Sunshine” or “Breaking Ground” delve into this kind of growth and the bonds that help foster it. Cole’s penmanship is sparse yet evocative, and intensely delivered alongside his caterwauling guitar riffs, Garcia’s distorted bass, and Lopez’s acrobatic drumming. “Lyrically I dug deep into the familial aspect of love and hardships,” Cole explains. “When most people think of a love song I think they have such a narrow headspace about it. Your one true love could be your grandma or your best friend, not just a significant other. I wanted to kind of focus on that with these lyrics. A lot of them are about my mother, father, and grandmother, who all shape my creativity a lot.” \n\u003cp dir=\"ltr\"\u003eOn late album standout “Friendly Face” Cole howls “take me with you, we’ll watch the clouds \/ Each shape forming a different sound \/ Lay with me upon a bed of green, we’ll see things that only we can see” referring to the influence of his grandmother with his love for her emanating from the speakers alongside some of the album’s most pummeling instrumentals. “Those lyrics are really personal to me,” he says. “Whenever I'm lost or don't really know who I'm supposed to be, I just think of my childhood and the people that helped me grow.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThroughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, Knumears manage to take classic screamo tropes–the wildly swinging dynamics, the crushing ferocity, the unabashed vulnerability–and reinvigorate them through sheer force of will. “The early screamo bands are special because they didn't have pre-existing bands to try and sound like,” says Cole. “They were screaming because they needed to not because it was cool.” This appreciation for the genre’s forebears is built into the incendiary lead single “Fade Away,” which features a guest appearance from Jerome’s Dream frontman Jeff Smith. The song’s panicked opening riff gives way to a propulsive snare roll, exploding into a full-band attack as Smith’s unhinged voice rips through the finale. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the end Knumears’ ability to encapsulate so much of what’s made screamo exciting and enduring simply comes down to the passion that’s so intrinsic to the genre itself. \"I think what draws us to this type of music, just like everyone else, is the absolute raw emotion,” Cole says. “We all grew up listening to hardcore, and I think that allows you to see the world in a completely different light—both more creatively and intellectually. Not being raised on music that had nothing real to say was the best thing that happened to us.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cbr\u003eTracklist\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1. Introduction\u003c\/div\u003e\n\u003cdiv\u003e2. One Light, Sunshine\u003c\/div\u003e\n\u003cdiv\u003e3. My Name\u003c\/div\u003e\n\u003cdiv\u003e4. Breaking Ground\u003c\/div\u003e\n\u003cdiv\u003e5. Directions\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003cdiv\u003e7. Bridged\u003c\/div\u003e\n\u003cdiv\u003e8. Fade Away\u003c\/div\u003e\n\u003cdiv\u003e9. Friendly Face\u003c\/div\u003e\n\u003cdiv\u003e10. The North\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56244355268994,"sku":"RFC-314-CS","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/knumearscassette.png?v=1768995703"},{"product_id":"teen-suicide-nude-descending-staircase-headless-lp","title":"Teen Suicide  'Nude descending staircase headless' LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eTeen Suicide’s seventh LP is due this spring via Run For Cover Records. The album marks the band’s first full-length release in three years, following honeybee table at the butterfly feast, which found renewed attention through tracks like “you were my star,” a breakout success on TikTok. Originally formed in 2010 as a side project of Sam Ray, Teen Suicide gradually evolved while remaining a passion-driven endeavor. Since 2017, the lineup has included Kitty Ray, and in 2022 the band officially became a full-time project with the addition of drummer Niko Wood. Together, the trio began writing and recording their upcoming LP, Nude descending stair- case headless.\u003cbr\u003eThe album represents a series of firsts for the band: their first re- cord recorded in a professional studio, their first release written and recorded as a full-time band, and their first since 2012 to feature a dedicated drummer throughout. It also marks the beginning of a ful- ly shared writing process between Sam and Kitty Ray, who married in 2016 and collaborated from the ground up on the entire record, splitting both songwriting and vocal duties.\u003cbr\u003eDescribed by Sam Ray as the band’s “career highlight so far,” Nude descending staircase headless explores the endless pursuit of ful- fillment through creation, threading motifs of death and rebirth with themes of embracing joy in the wake of immense loss. The record reframes the self not as an isolated object, but as a single strand within a larger, interconnected web. Standout tracks include “Idiot,” which leans into direct, literal storytelling, and “Spiders,” featuring Kitty Ray on lead vocals and introducing a darkly feminist undercur- rent to the album’s broader narrative.\u003cbr\u003eMusically, the band draws inspiration from artists such as Nirva- na, Radiohead, Shellac, and Helmet, channeling the intensity and experimentation of late-’80s and ’90s heavy rock. Their recent tours with DELTA SLEEP further highlight Teen Suicide’s growing incorporation of math rock and metal influences into their evolving sound.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003e1. Anhedonia\u003c\/div\u003e\n\u003cdiv\u003e2. Idiot\u003c\/div\u003e\n\u003cdiv\u003e3. Suffering (Mike’s way)\u003c\/div\u003e\n\u003cdiv\u003e4. Spiders\u003c\/div\u003e\n\u003cdiv\u003e5. The Knives\u003c\/div\u003e\n\u003cdiv\u003e6. Everything in my life is perfect\u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003e1. Candy \/ Squeeze\u003c\/div\u003e\n\u003cdiv\u003e2. Living death\u003c\/div\u003e\n\u003cdiv\u003e3. Keeping Her keys\u003c\/div\u003e\n\u003cdiv\u003e4. Hypnotic poison\u003c\/div\u003e\n\u003cdiv\u003e5. Kindnesses\u003c\/div\u003e\n\u003cdiv\u003e6. Not born to run\u003c\/div\u003e\n\u003cdiv\u003e7. Come and see the clown\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"LP - Spiderweb \/ 400 (Run For Cover Exclusive)","offer_id":56301670859138,"sku":"RFC315lp-c2","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Distant Clouds Grey \/ 1000 (Retail)","offer_id":56301670891906,"sku":"RFC315LP-C4","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/teens_ea58014a-01db-412c-9984-c9c113ebba98.png?v=1770045070"},{"product_id":"teen-suicide-nude-descending-staircase-headless-cd","title":"Teen Suicide  'Nude descending staircase headless' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eTeen Suicide’s seventh LP is due this spring via Run For Cover Records. The album marks the band’s first full-length release in three years, following honeybee table at the butterfly feast, which found renewed attention through tracks like “you were my star,” a breakout success on TikTok. Originally formed in 2010 as a side project of Sam Ray, Teen Suicide gradually evolved while remaining a passion-driven endeavor. Since 2017, the lineup has included Kitty Ray, and in 2022 the band officially became a full-time project with the addition of drummer Niko Wood. Together, the trio began writing and recording their upcoming LP, Nude descending stair- case headless.\u003cbr\u003eThe album represents a series of firsts for the band: their first re- cord recorded in a professional studio, their first release written and recorded as a full-time band, and their first since 2012 to feature a dedicated drummer throughout. It also marks the beginning of a ful- ly shared writing process between Sam and Kitty Ray, who married in 2016 and collaborated from the ground up on the entire record, splitting both songwriting and vocal duties.\u003cbr\u003eDescribed by Sam Ray as the band’s “career highlight so far,” Nude descending staircase headless explores the endless pursuit of ful- fillment through creation, threading motifs of death and rebirth with themes of embracing joy in the wake of immense loss. The record reframes the self not as an isolated object, but as a single strand within a larger, interconnected web. Standout tracks include “Idiot,” which leans into direct, literal storytelling, and “Spiders,” featuring Kitty Ray on lead vocals and introducing a darkly feminist undercur- rent to the album’s broader narrative.\u003cbr\u003eMusically, the band draws inspiration from artists such as Nirva- na, Radiohead, Shellac, and Helmet, channeling the intensity and experimentation of late-’80s and ’90s heavy rock. Their recent tours with DELTA SLEEP further highlight Teen Suicide’s growing incorporation of math rock and metal influences into their evolving sound.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003e1. Anhedonia\u003c\/div\u003e\n\u003cdiv\u003e2. Idiot\u003c\/div\u003e\n\u003cdiv\u003e3. Suffering (Mike’s way)\u003c\/div\u003e\n\u003cdiv\u003e4. Spiders\u003c\/div\u003e\n\u003cdiv\u003e5. The Knives\u003c\/div\u003e\n\u003cdiv\u003e6. Everything in my life is perfect\u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003e1. Candy \/ Squeeze\u003c\/div\u003e\n\u003cdiv\u003e2. Living death\u003c\/div\u003e\n\u003cdiv\u003e3. Keeping Her keys\u003c\/div\u003e\n\u003cdiv\u003e4. Hypnotic poison\u003c\/div\u003e\n\u003cdiv\u003e5. Kindnesses\u003c\/div\u003e\n\u003cdiv\u003e6. Not born to run\u003c\/div\u003e\n\u003cdiv\u003e7. Come and see the clown\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56301724696962,"sku":"RFC315CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/teenscd.png?v=1770045336"},{"product_id":"basement-wired-lp-devil-dog-exclusive","title":"Basement 'WIRED' LP (Devil Dog Exclusive) *Signed Print*","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping (Free Print signed by the band while stock lasts)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWIRED is a hard reset for Basement. It marks the British band’s first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition that's always animated their best material. Since forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher -- with the same alchemic bond. The only thing that's changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. Wired is the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the band’s singular sound: growling guitars, rousing choruses, striking emotional verbiage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBasement are back firing on all cylinders, but they're not interested in rehashing old glories. The whole band was adamant that Wired had to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on Wired sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe record’s title condenses all of this into a single word. The textural connotations of Wired -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they're wired for this shit.\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. Time Waster \u003c\/div\u003e\n\u003cdiv\u003e2. WIRED \u003c\/div\u003e\n\u003cdiv\u003e3. Deadweight \u003c\/div\u003e\n\u003cdiv\u003e4. Broken By Design\u003c\/div\u003e\n\u003cdiv\u003e5. Pick Up The Pieces \u003c\/div\u003e\n\u003cdiv\u003e6. Embrace \u003c\/div\u003e\n\u003cdiv\u003e7. Sever\u003c\/div\u003e\n\u003cdiv\u003e8. The Way I Feel\u003c\/div\u003e\n\u003cdiv\u003e9. Satisfy \u003c\/div\u003e\n\u003cdiv\u003e10. Head Alight\u003c\/div\u003e\n\u003cdiv\u003e11.Longshot\u003c\/div\u003e\n\u003cdiv\u003e12. Summer’s End\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"LP - Blue Wave (Devil Dog Exclusive ltd 300)","offer_id":56407737139586,"sku":"RFC288lp-DD-1","price":23.0,"currency_code":"GBP","in_stock":false},{"title":"LP - Black Vinyl","offer_id":56407737172354,"sku":"RFC288lp","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Wired Swirl (First Run Club Edition)","offer_id":56433130209666,"sku":"RFC288LP-C5","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"LP - Coke Bottle Clear Vinyl","offer_id":56629035499906,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true},{"title":"LP - Blue Wave (DD Exc) *SIGNED*","offer_id":56667833205122,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/basementexc.png?v=1771882358"},{"product_id":"basement-wired-cd","title":"Basement 'WIRED' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWIRED is a hard reset for Basement. It marks the British band’s first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition that's always animated their best material. Since forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher -- with the same alchemic bond. The only thing that's changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. Wired is the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the band’s singular sound: growling guitars, rousing choruses, striking emotional verbiage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBasement are back firing on all cylinders, but they're not interested in rehashing old glories. The whole band was adamant that Wired had to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on Wired sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe record’s title condenses all of this into a single word. The textural connotations of Wired -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they're wired for this shit.\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. Time Waster \u003c\/div\u003e\n\u003cdiv\u003e2. WIRED \u003c\/div\u003e\n\u003cdiv\u003e3. Deadweight \u003c\/div\u003e\n\u003cdiv\u003e4. Broken By Design\u003c\/div\u003e\n\u003cdiv\u003e5. Pick Up The Pieces \u003c\/div\u003e\n\u003cdiv\u003e6. Embrace \u003c\/div\u003e\n\u003cdiv\u003e7. Sever\u003c\/div\u003e\n\u003cdiv\u003e8. The Way I Feel\u003c\/div\u003e\n\u003cdiv\u003e9. Satisfy \u003c\/div\u003e\n\u003cdiv\u003e10. Head Alight\u003c\/div\u003e\n\u003cdiv\u003e11.Longshot\u003c\/div\u003e\n\u003cdiv\u003e12. Summer’s End\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56407738024322,"sku":"RFC-288-CD","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/basementcd.png?v=1771883207"},{"product_id":"basement-wired-cs","title":"Basement 'WIRED' CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWIRED is a hard reset for Basement. It marks the British band’s first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition that's always animated their best material. Since forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher -- with the same alchemic bond. The only thing that's changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. Wired is the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the band’s singular sound: growling guitars, rousing choruses, striking emotional verbiage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBasement are back firing on all cylinders, but they're not interested in rehashing old glories. The whole band was adamant that Wired had to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on Wired sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe record’s title condenses all of this into a single word. The textural connotations of Wired -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they're wired for this shit.\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. Time Waster \u003c\/div\u003e\n\u003cdiv\u003e2. WIRED \u003c\/div\u003e\n\u003cdiv\u003e3. Deadweight \u003c\/div\u003e\n\u003cdiv\u003e4. Broken By Design\u003c\/div\u003e\n\u003cdiv\u003e5. Pick Up The Pieces \u003c\/div\u003e\n\u003cdiv\u003e6. Embrace \u003c\/div\u003e\n\u003cdiv\u003e7. Sever\u003c\/div\u003e\n\u003cdiv\u003e8. The Way I Feel\u003c\/div\u003e\n\u003cdiv\u003e9. Satisfy \u003c\/div\u003e\n\u003cdiv\u003e10. Head Alight\u003c\/div\u003e\n\u003cdiv\u003e11.Longshot\u003c\/div\u003e\n\u003cdiv\u003e12. Summer’s End\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56407739957634,"sku":"RFC-288-CS-c1","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/RFC288cs.png?v=1771883300"},{"product_id":"portrayal-of-guilt-beginning-of-the-end-lp-devil-dog-exclusive","title":"Portrayal Of Guilt '...Beginning Of The End' LP (Devil Dog Exclusive)","description":"\u003cp\u003eLP - \u003cspan\u003eHeaven’s Gate \/ 250 (Devil Dog Exclusive)\u003cbr\u003e\u003c\/span\u003e🚛 - Pre-Order expected to ship April 24th 2026\u003cbr\u003e\u003cbr\u003e*1st Pressing has an embossed Black cover different to image*\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root\"\u003e\n\u003cdiv class=\"embedded-app\" id=\"embedded-app\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"fvsdk-container\" class=\"_fvsdk-container_ba0ho_5\" id=\"fvsdk_container\"\u003e\n\u003cdiv id=\"fvsdk-mount-point\" class=\"_fvsdk-mount-point_2087j_1\"\u003e\n\u003cdiv class=\"_fileViewerArea_2087j_17\"\u003e\n\u003cdiv class=\"_rendererRow_1naqk_11\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0 _drawer-wrapper_lyxv4_1\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"_centerSection_1naqk_24\"\u003e\n\u003cdiv id=\"fvsdk-container\" class=\"_container_1cr5w_1 _containerV2_1cr5w_35\"\u003e\n\u003cdiv class=\"_previewContentWrapper_1t0x7_11\"\u003e\n\u003cdiv class=\"_previewContent_1t0x7_1\"\u003e\n\u003cdiv class=\"_headerContainer_1f4eh_1\"\u003e\n\u003cdiv class=\"_scrollableContainer_t4qxl_1\"\u003e\n\u003cdiv data-slate-node=\"value\" data-slate-editor=\"true\"\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End is the latest album from Portrayal of Guilt, a curious title for a band that has treated each release like a new creative start, constantly reinventing themselves since their inception less than a decade ago. In that relatively short time, the Austin trio have not only toured the world over, created their own musical eco-system and released three seminal full-length albums, they have done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of \"menacing,\" “compelling” and “must hear.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003ePortrayal of Guilt made an immediate impact in underground circles with their debut Let Pain Be Your Guide by mixing nihilistic hardcore, black metal, classic screamo, and imaginative textures. We Are Always Alone and CHRISTF*CKER LPs followed in 2021, the band’s breakout body blows that corroded the band’s commitment to genre, nodding at industrial music, post-metal, sludge and even post-hardcore, all while cementing the band’s tendencies toward experimentalism. Portrayal of Guilt’s fearless spirit reimagined their own sound as classical (Devil Music EP) and EBM \/ goth (CHRISTF*CKER II) on more recent efforts. And though the pacing of releases and the band’s evolution has remained steady, Portrayal of Guilt’s execution has kept their audiences hungry for the band’s ever-evolving sound. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003eClocking in at around 32 minutes across eleven new tracks, …Beginning of the End was recorded and mixed by Phillip Odom between March-June 2025 with mastering handled by Will Yip. …Beginning of the End embraces both the groove and avant garde, revisiting the raw, teeth-gnashing intensity of their previous work while toying with nu-metal, alternative rock, trip hop, dark ambient and other disparate influences. The latest effort feels like a band that has traversed every shadowy corner of heavy music, distilling their decade of innovation and knowledge into a singular show of force, recalling moments of greatness found on releases from Deftones, Massive Attack, Dystopia, Deathspell Omega, Celtic Frost and Cursed among many others. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End, due on April 24th is Portrayal of Guilt’s fourth studio album in eight years, and third with Run for Cover. As with all prior releases, expect Portrayal of Guilt to take these new songs to the ends of the Earth, further cementing their monolithic touring reputation– one that has seen the band play around the world with the likes of Botch, Majority Rule, Baroness, Deafheaven, pg.99, Thou, Sumac, and many more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan class=\"_base_t4qxl_61\" data-slate-leaf=\"true\"\u003e\u003cspan data-slate-string=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBackstabber\u003c\/div\u003e\n\u003cdiv\u003eHuman Terror\u003c\/div\u003e\n\u003cdiv\u003eHeaven’s Gate\u003c\/div\u003e\n\u003cdiv\u003eUnder Siege\u003c\/div\u003e\n\u003cdiv\u003eEcstasy\u003c\/div\u003e\n\u003cdiv\u003eDeath From Above\u003c\/div\u003e\n\u003cdiv\u003eGod Will Never Hear Me\u003c\/div\u003e\n\u003cdiv\u003eChamber of Misery Pt. IV (Feat. Slim Guerilla)\u003c\/div\u003e\n\u003cdiv\u003eTotal Black\u003c\/div\u003e\n\u003cdiv\u003eObject of Pain\u003c\/div\u003e\n\u003cdiv\u003eThe Last Judgement\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56433149247874,"sku":"RFC-297-DD","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/POGexc.png?v=1772560065"},{"product_id":"portrayal-of-guilt-beginning-of-the-end-cd","title":"Portrayal Of Guilt '...Beginning Of The End' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root\"\u003e\n\u003cdiv id=\"embedded-app\" class=\"embedded-app\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"fvsdk_container\" class=\"_fvsdk-container_ba0ho_5\" data-testid=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_fvsdk-mount-point_2087j_1\" id=\"fvsdk-mount-point\"\u003e\n\u003cdiv class=\"_fileViewerArea_2087j_17\"\u003e\n\u003cdiv class=\"_rendererRow_1naqk_11\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0 _drawer-wrapper_lyxv4_1\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"_centerSection_1naqk_24\"\u003e\n\u003cdiv class=\"_container_1cr5w_1 _containerV2_1cr5w_35\" id=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_previewContentWrapper_1t0x7_11\"\u003e\n\u003cdiv class=\"_previewContent_1t0x7_1\"\u003e\n\u003cdiv class=\"_headerContainer_1f4eh_1\"\u003e\n\u003cdiv class=\"_scrollableContainer_t4qxl_1\"\u003e\n\u003cdiv data-slate-editor=\"true\" data-slate-node=\"value\"\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End is the latest album from Portrayal of Guilt, a curious title for a band that has treated each release like a new creative start, constantly reinventing themselves since their inception less than a decade ago. In that relatively short time, the Austin trio have not only toured the world over, created their own musical eco-system and released three seminal full-length albums, they have done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of \"menacing,\" “compelling” and “must hear.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003ePortrayal of Guilt made an immediate impact in underground circles with their debut Let Pain Be Your Guide by mixing nihilistic hardcore, black metal, classic screamo, and imaginative textures. We Are Always Alone and CHRISTF*CKER LPs followed in 2021, the band’s breakout body blows that corroded the band’s commitment to genre, nodding at industrial music, post-metal, sludge and even post-hardcore, all while cementing the band’s tendencies toward experimentalism. Portrayal of Guilt’s fearless spirit reimagined their own sound as classical (Devil Music EP) and EBM \/ goth (CHRISTF*CKER II) on more recent efforts. And though the pacing of releases and the band’s evolution has remained steady, Portrayal of Guilt’s execution has kept their audiences hungry for the band’s ever-evolving sound. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003eClocking in at around 32 minutes across eleven new tracks, …Beginning of the End was recorded and mixed by Phillip Odom between March-June 2025 with mastering handled by Will Yip. …Beginning of the End embraces both the groove and avant garde, revisiting the raw, teeth-gnashing intensity of their previous work while toying with nu-metal, alternative rock, trip hop, dark ambient and other disparate influences. The latest effort feels like a band that has traversed every shadowy corner of heavy music, distilling their decade of innovation and knowledge into a singular show of force, recalling moments of greatness found on releases from Deftones, Massive Attack, Dystopia, Deathspell Omega, Celtic Frost and Cursed among many others. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End, due on April 24th is Portrayal of Guilt’s fourth studio album in eight years, and third with Run for Cover. As with all prior releases, expect Portrayal of Guilt to take these new songs to the ends of the Earth, further cementing their monolithic touring reputation– one that has seen the band play around the world with the likes of Botch, Majority Rule, Baroness, Deafheaven, pg.99, Thou, Sumac, and many more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBackstabber\u003c\/div\u003e\n\u003cdiv\u003eHuman Terror\u003c\/div\u003e\n\u003cdiv\u003eHeaven’s Gate\u003c\/div\u003e\n\u003cdiv\u003eUnder Siege\u003c\/div\u003e\n\u003cdiv\u003eEcstasy\u003c\/div\u003e\n\u003cdiv\u003eDeath From Above\u003c\/div\u003e\n\u003cdiv\u003eGod Will Never Hear Me\u003c\/div\u003e\n\u003cdiv\u003eChamber of Misery Pt. IV (Feat. Slim Guerilla)\u003c\/div\u003e\n\u003cdiv\u003eTotal Black\u003c\/div\u003e\n\u003cdiv\u003eObject of Pain\u003c\/div\u003e\n\u003cdiv\u003eThe Last Judgement\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56433151869314,"sku":"RFC-297-CD","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/POGCD.png?v=1772560804"},{"product_id":"portrayal-of-guilt-beginning-of-the-end-cs","title":"Portrayal Of Guilt '...Beginning Of The End' CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root\"\u003e\n\u003cdiv id=\"embedded-app\" class=\"embedded-app\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"fvsdk_container\" class=\"_fvsdk-container_ba0ho_5\" data-testid=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_fvsdk-mount-point_2087j_1\" id=\"fvsdk-mount-point\"\u003e\n\u003cdiv class=\"_fileViewerArea_2087j_17\"\u003e\n\u003cdiv class=\"_rendererRow_1naqk_11\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0 _drawer-wrapper_lyxv4_1\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"_centerSection_1naqk_24\"\u003e\n\u003cdiv class=\"_container_1cr5w_1 _containerV2_1cr5w_35\" id=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_previewContentWrapper_1t0x7_11\"\u003e\n\u003cdiv class=\"_previewContent_1t0x7_1\"\u003e\n\u003cdiv class=\"_headerContainer_1f4eh_1\"\u003e\n\u003cdiv class=\"_scrollableContainer_t4qxl_1\"\u003e\n\u003cdiv data-slate-editor=\"true\" data-slate-node=\"value\"\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End is the latest album from Portrayal of Guilt, a curious title for a band that has treated each release like a new creative start, constantly reinventing themselves since their inception less than a decade ago. In that relatively short time, the Austin trio have not only toured the world over, created their own musical eco-system and released three seminal full-length albums, they have done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of \"menacing,\" “compelling” and “must hear.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003ePortrayal of Guilt made an immediate impact in underground circles with their debut Let Pain Be Your Guide by mixing nihilistic hardcore, black metal, classic screamo, and imaginative textures. We Are Always Alone and CHRISTF*CKER LPs followed in 2021, the band’s breakout body blows that corroded the band’s commitment to genre, nodding at industrial music, post-metal, sludge and even post-hardcore, all while cementing the band’s tendencies toward experimentalism. Portrayal of Guilt’s fearless spirit reimagined their own sound as classical (Devil Music EP) and EBM \/ goth (CHRISTF*CKER II) on more recent efforts. And though the pacing of releases and the band’s evolution has remained steady, Portrayal of Guilt’s execution has kept their audiences hungry for the band’s ever-evolving sound. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003eClocking in at around 32 minutes across eleven new tracks, …Beginning of the End was recorded and mixed by Phillip Odom between March-June 2025 with mastering handled by Will Yip. …Beginning of the End embraces both the groove and avant garde, revisiting the raw, teeth-gnashing intensity of their previous work while toying with nu-metal, alternative rock, trip hop, dark ambient and other disparate influences. The latest effort feels like a band that has traversed every shadowy corner of heavy music, distilling their decade of innovation and knowledge into a singular show of force, recalling moments of greatness found on releases from Deftones, Massive Attack, Dystopia, Deathspell Omega, Celtic Frost and Cursed among many others. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End, due on April 24th is Portrayal of Guilt’s fourth studio album in eight years, and third with Run for Cover. As with all prior releases, expect Portrayal of Guilt to take these new songs to the ends of the Earth, further cementing their monolithic touring reputation– one that has seen the band play around the world with the likes of Botch, Majority Rule, Baroness, Deafheaven, pg.99, Thou, Sumac, and many more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBackstabber\u003c\/div\u003e\n\u003cdiv\u003eHuman Terror\u003c\/div\u003e\n\u003cdiv\u003eHeaven’s Gate\u003c\/div\u003e\n\u003cdiv\u003eUnder Siege\u003c\/div\u003e\n\u003cdiv\u003eEcstasy\u003c\/div\u003e\n\u003cdiv\u003eDeath From Above\u003c\/div\u003e\n\u003cdiv\u003eGod Will Never Hear Me\u003c\/div\u003e\n\u003cdiv\u003eChamber of Misery Pt. IV (Feat. Slim Guerilla)\u003c\/div\u003e\n\u003cdiv\u003eTotal Black\u003c\/div\u003e\n\u003cdiv\u003eObject of Pain\u003c\/div\u003e\n\u003cdiv\u003eThe Last Judgement\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56433156751746,"sku":"RFC-297-CS","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/POGcs_b777ab26-3a13-43a2-a5db-e0cdb1545eff.png?v=1772640656"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/collections\/RFC_7bd6b396-0401-4337-9b1c-045860de62b6.png?v=1773817465","url":"https:\/\/devildogdistro.com\/collections\/rfc-pre-orders-copy.oembed","provider":"Devil Dog Distro","version":"1.0","type":"link"}