{"title":"RFC \/ CD \u0026 TAPES","description":"","products":[{"product_id":"fiddlehead-death-is-nothing-to-us-cd","title":"Fiddlehead  \"Death Is Nothing To Us\" CD","description":"\u003cp\u003e\u003cstrong\u003eCD Digipack\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cb data-mce-fragment=\"1\"\u003eTracklist\u003c\/b\u003e\u003c\/em\u003e:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e1. The Deathlife\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e2. Sleepyhead\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e3. Loserman\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e4. True Hardcore (II)\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e5. Welcome to the Situation\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e6. Sullenboy\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e7. Give It Time (II)\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e8. Queen of Limerick\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e9. The Woes\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e10. Fiddleheads\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e11. Fifteen To Infinity\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e12. Going To Die\u003cbr\u003e\u003cbr\u003eFiddlehead’s third album Death is Nothing to Us is a defiant, new chapter for the band. Since 2014, the Boston-based group have been honing their unique sound, bringing together the energy of hardcore, the anthemic melodies of ‘90s alternative, and the unbridled passion of Revolution Summer era emo. Their previous albums, 2018’s Springtime and Blind and 2021’s Between The Richness, dealt heavily with grief from different perspectives, and now their latest feels like a de facto culmination, drawing together many of the catalog’s through-lines sonically and lyrically.\u003cbr\u003e\u003cbr\u003eThe band again teamed with producer Chris Teti for their third record, and his punchy production captures Fiddlehead’s live energy while showcasing the massive guitars and undeniable catchiness that makes their music so immensely satisfying. The album’s concise 27 minutes sound like a natural extension of all of the band’s strengths, but is glued together by vocalist Pat Flynn’s singular tuneful roar. Flynn, since his time as the vocalist of Have Heart and now as Fiddlehead’s frontman, has earned a reputation as one of hardcore’s most thoughtful lyricists. He interweaves his ruminations on life, death, and all the joy and tragedy in between with references to Roman philosopher Lucretius; the author Jean Améry; other musicians like Bad Brains, Alex G, or Wire, and even references to the band’s own back catalog. \u003cbr\u003e\u003cbr\u003eThe humanity across Death Is Nothing To Us is palpable in every note. It’s the kind of art that observes pain with real honesty rather than prescribing a solution for it–and in doing so, inadvertently offers some sense of hopefulness. The album finds Fiddlehead so deeply delving into the pain, confusion, nuances, and contradictions of sadness–so willingly wrapping their arms around a concept as existentially baffling as death itself–that they’ve created an album that is truly life-affirming. Death is Nothing to Us exemplifies so much of what makes Fiddlehead a special band: taking these heady, unanswerable questions and wrestling with them in a very earthbound way, all wrapped up in the urgent power of a three minute punk song.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47232721715473,"sku":"RFC259CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/WEBSTORE_TEMPLATE3_fb226ebc-6b5c-4023-9569-bb1f24e1d9ff.png?v=1695795039"},{"product_id":"modern-baseball-holy-ghost-cd","title":"Modern Baseball  \"Holy Ghost\" CD","description":"\u003cp\u003e💿 - Jewel Case CD\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eJust a few years after self-recording their debut album between college classes, Philadelphia’s Modern Baseball will show the world a brand new version of themselves on their third full-length album, \u003ci\u003eHoly Ghost\u003c\/i\u003e. Thematically, the record is a time-capsule for the two years since the release of their Run For Cover debut You’re Gonna Miss It All, curated in two parts by the band’s guitarists and main songwriters, Jacob Ewald and Brendan Lukens. Splitting the record into two halves, both take the helm to curate the sonic journey into territory both familiar and foreign in the band’s discography. Whether it be on the homesick tour ballad “Mass” or the heartbreaking, question-filled lyrics on “Apple Cider, I Don’t Mind,” it becomes clear that Holy Ghost is a certainly transformative record for a band maturing into greatness.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Holy Ghost\u003cbr\u003e2. Wedding Singer\u003cbr\u003e3. Note To Self\u003cbr\u003e4. Mass\u003cbr\u003e5. Everyday\u003cbr\u003e6. Hiding\u003cbr\u003e7. Coding These To Lukens\u003cbr\u003e8. Breathing In Stereo\u003cbr\u003e9. Apple Cider, I Don't Mind\u003cbr\u003e10. What If...\u003cbr\u003e11. Just Another Face\u003cbr\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47232858456337,"sku":"RFC-152-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/WEBSTORE_TEMPLATE4_6a5d1351-60dd-476c-86c3-419acc0b095e.png?v=1695795848"},{"product_id":"anxious-little-green-house-cd","title":"Anxious \"Little Green House\" CD","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1368078087\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/anxious18.bandcamp.com\/album\/little-green-house\"\u003eLittle Green House by ANXIOUS\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDigipack CD\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003cbr\u003e\u003c\/strong\u003e1. Your One Way Street\u003cbr\u003e2. In April\u003cbr\u003e3. Growing Up Song\u003cbr\u003e4. More Than A Letter\u003cbr\u003e5. Wayne\u003cbr\u003e6. Speechless\u003cbr\u003e7. Let Me\u003cbr\u003e8. Call From You\u003cbr\u003e9. Afternoon\u003cbr\u003e10. You When You're Gone\u003c\/p\u003e\n","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47233020494097,"sku":"RFC-229-CD","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/WEBSTORE_TEMPLATE5_dd741b6d-3016-42af-9816-4d9bbac1e3b1.png?v=1695796538"},{"product_id":"one-step-closer-this-place-you-know-cd","title":"One Step Closer \"This Place You Know\" CD","description":"\u003cp\u003e\u003cstrong\u003eDigipack CD\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eOn their first-ever full-length album and debut for Run For Cover, \"This Place You Know,\" the band offers a modern coming-of-age story about growing up and grasping both the known and the unknown. One Step Closer started in 2016 and in their short five years, vocalist Ryan Savitski along with drummer Tommy Norton, bassist Brian Talipan, and guitarists Ross Thompson and Grady Allen have come into their own as a modern hardcore mainstay. \"This Place You Know\" grapples with the weight of themes like isolation, depression, and loss - all amplified by driving bass lines, emphatic guitar riffs, and unwavering drumming performed by the band. Now available on colored vinyl with a gatefold cover. Vinyl version includes digital download. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e\u003cbr\u003e1. I Feel So\u003cbr\u003e2. Lead To Gray\u003cbr\u003e3. Leave Me Behind \u003cbr\u003e4. Home For The Night\u003cbr\u003e5. Pringle Street\u003cbr\u003e6. Hereafter\u003cbr\u003e7. Time Spent, Too Long\u003cbr\u003e8. Autumn\u003cbr\u003e9. Chrysanthemum\u003cbr\u003e10. 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Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves—who has since been replaced by Casey Nealon - linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic ‘80s emo into something that felt distinctly theirs. \u003cstrong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Grief Motif \u003cbr\u003e2. The Years \u003cbr\u003e3. Million Times \u003cbr\u003e4. Eternal You \u003cbr\u003e5. Loverman \u003cbr\u003e6. Down University \u003cbr\u003e7. Get My Mind Right \u003cbr\u003e8. Life Notice \u003cbr\u003e9. Joyboy \u003cbr\u003e10. Heart to Heart\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47233393557777,"sku":"RFC211CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/WEBSTORE_TEMPLATE7_aa1410ef-2007-43fa-abaf-600eaf604b76.png?v=1695797468"},{"product_id":"turnover-peripheral-vision-cd","title":"Turnover \"Peripheral Vision\" CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003eDigipack CD\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003eVirginia Beach’s Turnover has never been a band afraid of telling the truth. The emotional honesty poured out over a number of anthemic releases has been a proven formula of success for the band, but on their sophomore LP Peripheral Vision, the band treads into deeper water. Working again with Magnolia producer Will Yip (Title Fight, Circa Survive), Turnover’s latest record shows a band maturing to create their best effort: an ethereal, reverb-drenched soundscape blending elements of hazy dream pop and the delicate emo rock of yesteryear. Songs like “Hello Euphoria” and “Like Slow Disappearing” highlight the new calmer, more subdued approach to songwriting, matched by Austin Getz’s somber, confessional lyrics that echo throughout songs as if his words were haunting every measure. 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While still keeping the energy from their EP, this latest album sees the band taking their songwriting to the next level, putting vocalist Pat Flynn to the forefront. This is evident right from the opening track “Spousal Loss” where a very clear thesis of the record is stated: loss. Whether it’s the loss of time on “Lay Low”, or the loss of a loved one on “USMA”, it’s a clear premise that tangles itself throughout the record, and strives to and resolution. \u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003e01. Spousal Loss\u003cbr\u003e02. Poem You\u003cbr\u003e03. USMA\u003cbr\u003e04. Tidal Waves\u003cbr\u003e05. Head Hands\u003cbr\u003e06. Rejoice\u003cbr\u003e07. Lay Low\u003cbr\u003e08. My World\u003cbr\u003e09. 04\/17\/70\u003cbr\u003e10. 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And while it took some time to arrive, plastic death sounds like the logical expansion of all the things that made their first album so special.\u003c\/span\u003e\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDouble album vinyl pressing includes spot-glow in the dark gatefold jacket, printed inner sleeves and a jumbo 24\" x 24\" album art poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003ecoelacanth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003emotions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eslip under the door\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eguitar song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003erare animal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003ecul-de-sac\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003ewhalefall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003epuppy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003ethe killer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003ethe CIA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e200\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003ecommatose\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eabyss angel\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47612527935761,"sku":"RFC252CD","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/WEBSTORE_TEMPLATE5_670e397a-ff8d-4151-89d6-bad8f82f7f35.png?v=1699286433"},{"product_id":"citizen-youth-cd","title":"Citizen  \"Youth\" CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003eDigipack CD\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince first meeting as midwestern high-schoolers in 2009, Citizen have emerged as one of the most promising young bands in the alternative underground today. The band signed to Run For Cover Records in early 2012, releasing their EP Young States that year as well as a split with labelmates Turnover. In February of 2013, Citizen entered Studio 4 with producer Will Yip (Title Fight, Circa Survive, Daylight) to record Youth, their debut full-length. From the first note of album opener \"Roam The Room\", the fuzzy, guitar-driven rock songs bleed emotion straight through to closer \"Drawn Out\". Citizen have called on the ghosts of Brand New and early Nirvana, creating a sound that is familiar but immediately all its own.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. Roam The Room\u003cbr\u003e2. Figure You Out\u003cbr\u003e3. The Summer\u003cbr\u003e4. Sleep\u003cbr\u003e5. How Does It Feel\u003cbr\u003e6. The Night I Drove Alone\u003cbr\u003e7. Speaking With A Ghost\u003cbr\u003e8. Your Head Got Misplaced\u003cbr\u003e9. Sick and Impatient\u003cbr\u003e10. Drawn Out\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47974468813073,"sku":"RFC088CD","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/YOuthcd.png?v=1705587045"},{"product_id":"tigers-jaw-self-titled-cd","title":"Tigers Jaw \"Self Titled\" CD","description":"\u003cp\u003e\u003cstrong\u003eDigipak CD|\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eScanton PA's Tigers Jaw debut record on RFC.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-item\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cdiv class=\"product-info-column\"\u003e\n\u003col\u003e\n\u003cli\u003eThe Sun\u003c\/li\u003e\n\u003cli\u003ePlane Vs Tank Vs Submarine\u003c\/li\u003e\n\u003cli\u003eI Saw Water\u003c\/li\u003e\n\u003cli\u003eChemicals\u003c\/li\u003e\n\u003cli\u003eBetween Your Band And The Other Band\u003c\/li\u003e\n\u003cli\u003eHEAT\u003c\/li\u003e\n\u003cli\u003eI Was Never Your Boyfriend\u003c\/li\u003e\n\u003cli\u003eMeals On Wheels\u003c\/li\u003e\n\u003cli\u003eArms Across America\u003c\/li\u003e\n\u003cli\u003eNever Saw It Coming\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47974535135505,"sku":"RFC-023-CD","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/tjstcd.png?v=1705587556"},{"product_id":"trapped-under-ice-heatwave-cd","title":"Trapped Under Ice \"Heatwave\" CD","description":"\u003cp\u003e\u003cstrong\u003eIn stock and shipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigipak CD\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. Backstabbed\u003cbr\u003e2. XL\u003cbr\u003e3. No Relief\u003cbr\u003e4. Do It\u003cbr\u003e5. Throw It Away\u003cbr\u003e6. Pressure Is On\u003cbr\u003e7. Oblivion\u003cbr\u003e8. Slow Death\u003cbr\u003e9. Heatwave\u003cbr\u003e10. Other Side\u003cbr\u003e11. Move\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47974603653393,"sku":"WIG-010-CD","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/tuicd.png?v=1705588359"},{"product_id":"basement-colourmeinkindness-cd","title":"Basement \"colourmeinkindness\" CD","description":"\u003cp\u003e\u003cb\u003eDigipak CD\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eUnfiltered and raw, Basement's colourmeinkindness, cuts with the emotional honesty of a personal diary backed with a flawlessly representative soundtrack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Whole\u003cbr data-mce-fragment=\"1\"\u003e02. Covet\u003cbr data-mce-fragment=\"1\"\u003e03. Spoiled\u003cbr data-mce-fragment=\"1\"\u003e04. Pine\u003cbr data-mce-fragment=\"1\"\u003e05. Bad Apple\u003cbr data-mce-fragment=\"1\"\u003e06. Breathe\u003cbr data-mce-fragment=\"1\"\u003e07. Control\u003cbr data-mce-fragment=\"1\"\u003e08. Black\u003cbr data-mce-fragment=\"1\"\u003e09. Comfort\u003cbr data-mce-fragment=\"1\"\u003e10. Wish\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47974637863185,"sku":"RFC061-CD","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/WEBSTORETEMPLATE_d065ec56-cd1d-45d3-94ef-e9cb62c814be.png?v=1705588800"},{"product_id":"tigers-jaw-charmer-cd","title":"Tigers Jaw \"Charmer\" CD","description":"\u003cb\u003eDigipak CD\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOn their third studio full-length, Charmer, Tigers Jaw went into the legendary Studio 4 in Conshohocken, PA with Will Yip (Title Fight, Circa Survive, La Dispute) to record 12 new songs that make up their most cohesive release to date.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. Cool\u003cbr\u003e2. Frame You\u003cbr\u003e3. Hum\u003cbr\u003e4. Charmer\u003cbr\u003e5. Nervous Kids\u003cbr\u003e6. I Envy Your Apathy\u003cbr\u003e7. Divide\u003cbr\u003e8. Slow Come On\u003cbr\u003e9. Teen Rocket\u003cbr\u003e10. Softspoken\u003cbr\u003e11. Distress Signal\u003cbr\u003e12. What Would You Do\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":47974645039377,"sku":"RFC-104","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/tichcd.png?v=1705588969"},{"product_id":"one-step-closer-all-you-embrace-cd","title":"One Step Closer \"All You Embrace\" CD","description":"\u003cp\u003e\u003cstrong\u003eJewel Case CD\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e🚛 In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"WordSection1\"\u003e\n\u003cdiv id=\"mail-editor-reference-message-container\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"mail-editor-reference-message-container\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Color You\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Leap Years\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e3. Blur My Memory\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e4. The Gate\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e5. Your Hazel Tree\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e6. Orange Leaf\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e7. Esruc\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e8. Slow to Let Go\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e9. Topanga\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e10. Giant’s Despair\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cspan\u003e11. So Far From Me\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"p1\"\u003eOne Step Closer has always believed that hardcore is limitless. On All You Embrace, the band puts that theory into practice. Every release from the Wilkes-Barre, Pennsylvania band has seen them exploring the sonic overlaps of hardcore, emo, and ‘90s alternative rock without an iota of self-consciousness, or pretension, creeping into the mix. All You Embrace is a collection of 11 songs that show One Step Closer reaching for something deeply honest and, as always, authentic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith founding members Savitski and guitarist Ross Thompson at the helm of One Step Closer, alongside newest addition Colman O’Brien, the three were able to fearlessly guide One Step Closer in new directions. On All You Embrace, you can hear every element of OSC throughout the record, as they expound upon every idea until each one has achieved its full potential. The result is a record that’s bigger, catchier, and moodier than anything they’ve done before, while still feeling exactly like the band they’ve been building for years.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTaken in full, All You Embrace is the sound of One Step Closer honoring their past while building a future that looks more open, more creative, and more expansive. It’s a place where records like Start Today, Diary, and Floral Green are all in conversation with one another. “We’ve honed in on a central vibe and aesthetic that really speaks to all of us,” says Thompson. “It encapsulates exactly who we’ve become.” When asked who that is, Thomspon answers swiftly and decisively, “We’re One Step Closer, a straight edge band from Wilkes-Barre, Pennsylvania.” Sometimes the answers you’re searching for are right in front of you all along.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":48327236780305,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/OSCCD.png?v=1709225951"},{"product_id":"anxious-bambi-cd","title":"Anxious \"Bambi\" CD","description":"\u003cp\u003e\u003cstrong\u003e💿 - CD\u003cbr\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ci\u003eAnxious’ second album Bambi arrives this winter on Run For Cover Records. It’s been a whirlwind few years for the Fairfield, Connecticut five-piece – since the release of their debut album Little Green House, there’s been little time for anything other than consistent touring with bands like Bayside, Drug Church and The Wonder Years. Somewhere during that endless grind, vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eBambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better than ever. \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003eInspired by “big swing” records like Blink-182’s self-titled or Jimmy Eat World’s Clarity, Anxious set out to redefine the band without losing sight of what made them work in the first place. Tracks like “Head \u0026amp; Spine,” “Sunder,” and “Tell Me Why” showcase the scope of Anxious’ evolution, tapping crunchy ‘90s rock guitarwork, layered ‘60s-esque harmonies, and crisp, modern production that captures the unrivaled energy of seeing the band play live.\u003c\/i\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":50526218584337,"sku":"RFC-280-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/BambiCD.png?v=1729174172"},{"product_id":"pelican-flickering-resonance-cd","title":"Pelican \"Flickering Resonance\" CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. Gulch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Evergreen\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Indelible\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Specific Resonance\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Cascading Crescent\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Pining For Ever\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Flickering Stillness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Wandering Mind\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePelican has always been a band that’s not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican’s foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ exit in 2022, this reunified version of Pelican allowed the band to tap back into those influences and build something distinctly new with Flickering Resonance. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile longtime Pelican fans will find an updated version of the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters, so too did Quicksand, Christie Front Drive, and Hum. “A lot of people didn’t hear it,” says Schroeder-Lebec. “I was like, well, I guess the metal world is where we fit. But now, I’m willing to acknowledge all the suits we’re wearing.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn Flickering Resonance, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":54952591720834,"sku":"RFC-283-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/PelicanCD.png?v=1738952862"},{"product_id":"pinegrove-cardinal-cd","title":"Pinegrove \"Cardinal\" CD","description":"\u003cp\u003e\u003cstrong\u003e🚛 - In Stock \u0026amp; Shipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"product_info\"\u003e\n\u003cp\u003eAfter a number of different releases and years of touring, Montclair, New Jersey’s Pinegrove have offered their finest work to date with their newest LP, Cardinal. The band’s captivating blend of indie rock, pop and country elements is more vivid, fine-tuned, and addictive than ever before. Vocalist\/guitarist Evan Stephens Hall along with brothers Zack Levine (drums) and Nick Levine (guitar) form a core that has been playing together since early childhood. Painting his emotions onto these songs with colorful and kinetic strokes, Hall moves through Cardinal’s eight songs with unforgettable energy and passion, with a vocal performance that is pleasantly reminiscent of Will Oldham and Built to Spill’s Doug Martsch. Highlighted by the downtrodden nostalgia of twangy opener “Old Friends” and the climactic refrain of “Size of the Moon,” where the confession “I don’t know what I’m afraid of,” is just as much of a sing-a-long as it is an emotional breakdown, moods don’t stay in one place for very long on Cardinal - they are carefully crafted and revisited throughout to continually evoke the album’s central themes of memory, language, and home.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Old Friends\u003cbr\u003e2. Cadmium\u003cbr\u003e3. Then Again\u003cbr\u003e4. Aphasia\u003cbr\u003e5. Visiting\u003cbr\u003e6. Waveform\u003cbr\u003e7. Size Of The Moon\u003cbr\u003e8. New Friends\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-item\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cdiv class=\"product-info-column\"\u003e\n\u003cp\u003e\u003cb\u003ePressing Information:\u003cbr\u003e\u003c\/b\u003eFirst Press:\u003cbr\u003e300 Blue (100 w\/ Hand Painted Covers)\u003cbr\u003e700 Grey\u003cbr\u003e1000 Black\u003cbr\u003e\u003cbr\u003eSecond Press:\u003cbr\u003e1000 Red\u003cbr\u003e\u003cbr\u003eThird Press:\u003cbr\u003e300 Clear (Banquet Records Exclusive)\u003cbr\u003e850 Deep Blue\u003cbr\u003eBlack\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55091053953410,"sku":"RFC-147-CD","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/CardinalCD.png?v=1743445260"},{"product_id":"nihilistic-easyrider-deluxe-edition-cd","title":"Nihilistic Easyrider \"DELUXE EDITION\" CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eNihilistic Easyrider\u003c\/b\u003e is the brainchild of Narrow Head frontman Jacob Duarte—but make no mistake, he’s not going solo. DELUXE EDITION is a mixtape of sorts, a collection of songs written at various intervals throughout Duarte’s career. These songs traverse a wide-range of stylistic references, from saccharine Y2K emo and young-dumb-and-full-of pop punk to Soviet fuzz fueled alt and pure Evan Dando-core verse-chorus-verse-chorus-done pop rock. Brought to life by a cast of characters including Narrow Head drummer Carson Wilcox, producer (and former tour-mate) Graham Hunt and features from Momma’s Allegra Weingarten and Ella Friedman, this debut album still provides with masterfully crafted and hook-drenched renditions of Duarte’s signature songwriting aesthetics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese songs wade in the same messiness of romantic misfires and burnt brain synapses that longtime Narrow Head listeners have come to know and love, just from a different, new perspective. Duarte’s tales of loneliness, anticipation, and life’s mired complexities on songs like “Getaway Plan” and “Well Kept Secret” are surrounded by a vibrant backing cast of drone-bee synth swells, barroom piano stabs, rattling acoustic guitars, and tribal-tat coded record-scratch aesthetics that subtly nod to both Incubus’ hardest moments and Deftones’ softest.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith \u003cb\u003eDELUXE EDITION\u003c\/b\u003e, Duarte provides us with diaristic vignettes of a life in perpetual motion, offering a more introspective view into the preoccupations of a songwriter whose life revolves around the stage but is ultimately \u003ci\u003elived\u003c\/i\u003e elsewhere. To Jacob, “Nihilistic Easyrider songs are closer to the music I always wanted to make growing up,” he says, “a personal diary of growing up through music.”\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55249496408450,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/NECD.png?v=1748879158"},{"product_id":"afi-silver-bleeds-the-black-sun-cd","title":"AFI \"Silver Bleeds The Black Sun...\" CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album—sometimes dramatically so—never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It’s an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun…, AFI are once again at the start of a bold new chapter, only this time they’ve even managed to surprise themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHow does a band that’s known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun… AFI set out to purposely change their creative approach all together. This time it started with a conversation: how could they break new ground?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo \u0026amp; the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and post-punk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTRACKLIST \u003cbr\u003e1. 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Their quirky, tuneful songs convey how it feels to be young and hopeless in modern America - a cracked cellphone clutched in one hand, subconsciously refreshing social media, hoping to get noticed by that girl at the party and ignored by the ghosts from high school past. Calling on Say Anything's bravado, the Front Bottoms tongue-in-cheek quirk and the Weakerthans' literary misery, Modern Baseball has made a record with remarkable depth and relatability. Vinyl version includes digital download. \u003cbr\u003e\u003cbr\u003e1. Fine, Great\u003cbr\u003e2. Broken Cash Machine\u003cbr\u003e3. Rock Bottom\u003cbr\u003e4. Apartment\u003cbr\u003e5. The Old Gospel Choir\u003cbr\u003e6. Notes\u003cbr\u003e7. Charlie Black\u003cbr\u003e8. Timmy Bowers\u003cbr\u003e9. Going To Bed Now\u003cbr\u003e10. Your Graduation\u003cbr\u003e11. Two Good Things\u003cbr\u003e12. Pothole\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55776485114242,"sku":"RFC-096","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/YGMIACD.png?v=1759866385"},{"product_id":"angel-du-t-cold-2-the-touch-cd","title":"Angel Du$t \"COLD 2 THE TOUCH\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s no other band like Angel Du$t. In fact, the singular group is almost defined by how far they stand apart from the pack. So if saying Angel Du$t aren’t like anyone else is a no-brainer, then what are they like? Are they cutting edge genre-destroyers or one of the last authentic guitar bands standing? Are they blunt force aggression incarnate or earnest experimentalists? Are they the hardcore version of an indie band or is it the other way around? You might ask yourself these kinds of questions while taking in the totality of Angel Dust’s decade-plus journey–but the band’s new album, Cold 2 The Touch, suggests that maybe it’s not so complicated after all. Or as vocalist\/mastermind Justice Tripp puts it: ”Angel Du$t is rock \u0026amp; roll.”\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCold 2 The Touch captures this simple fact better than ever before. The 26-minute blast of eclectic and hardhitting music makes it clear that Angel Du$t can’t be contained within the confines of narrow subgenres, and that a term as elemental as rock \u0026amp; roll might actually fit like a glove. This is the band’s most overtly ferocious album in some time–a blender of hard riffs and big hooks that are matched by Tripp’s open-hearted existentialism.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA constellation of collaborators makes Cold 2 The Touch a captivating listen that’s constantly surprising the listener: guitarist Jim Caroll makes his presence especially felt on “Zero,” a veritable Angel Du$t epic that clocks in at over three minutes of spiraling riffs and features vocals from Wes Eisold of American Nightmare and Cold Cave; “Downfall” has the growl of Restraining Order’s Patrick Cozens; “Man On Fire” taps UK punk legend Frank Carter; and “The Beat” includes guttural guest vitriol from Taylor Young of Twitching Tongues, Deadbody, and more.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe album’s final one-two punch of “The Knife” and “The Beat” sum up exactly what makes Angel Du$t such a special band. This is a creative endeavor where heart-on-sleeve musings about the finite nature of life can coexist with the unbridled thrill of violence-enducing riffs, where real humanity can flourish and being true to yourself and your own spectrum of thoughts, interests, and feelings takes primacy above all else. “This is who I am,” says Tripp. “and I speak for the band too: these are people who are always going to be playing aggressive rock \u0026amp; roll. It’s happening whether you like it or not. I’m me, and if you get in my way I’m gonna crush you.”\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55855794684290,"sku":"RFC-293-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/ADCD.png?v=1761120249"},{"product_id":"angel-du-t-cold-2-the-touch-cs","title":"Angel Du$t \"COLD 2 THE TOUCH\" CS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e🚛 - In Stock \u0026amp; Shipping\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s no other band like Angel Du$t. In fact, the singular group is almost defined by how far they stand apart from the pack. So if saying Angel Du$t aren’t like anyone else is a no-brainer, then what are they like? Are they cutting edge genre-destroyers or one of the last authentic guitar bands standing? Are they blunt force aggression incarnate or earnest experimentalists? Are they the hardcore version of an indie band or is it the other way around? You might ask yourself these kinds of questions while taking in the totality of Angel Dust’s decade-plus journey–but the band’s new album, Cold 2 The Touch, suggests that maybe it’s not so complicated after all. Or as vocalist\/mastermind Justice Tripp puts it: ”Angel Du$t is rock \u0026amp; roll.”\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCold 2 The Touch captures this simple fact better than ever before. The 26-minute blast of eclectic and hardhitting music makes it clear that Angel Du$t can’t be contained within the confines of narrow subgenres, and that a term as elemental as rock \u0026amp; roll might actually fit like a glove. This is the band’s most overtly ferocious album in some time–a blender of hard riffs and big hooks that are matched by Tripp’s open-hearted existentialism.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA constellation of collaborators makes Cold 2 The Touch a captivating listen that’s constantly surprising the listener: guitarist Jim Caroll makes his presence especially felt on “Zero,” a veritable Angel Du$t epic that clocks in at over three minutes of spiraling riffs and features vocals from Wes Eisold of American Nightmare and Cold Cave; “Downfall” has the growl of Restraining Order’s Patrick Cozens; “Man On Fire” taps UK punk legend Frank Carter; and “The Beat” includes guttural guest vitriol from Taylor Young of Twitching Tongues, Deadbody, and more.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe album’s final one-two punch of “The Knife” and “The Beat” sum up exactly what makes Angel Du$t such a special band. 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I’m me, and if you get in my way I’m gonna crush you.”\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55855802024322,"sku":"RFC-290-CS","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/ADcassette.png?v=1761120449"},{"product_id":"guv-warmer-than-gold-cd","title":"GUV  \"Warmer Than Gold\" CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold, the new album from Ben Cook’s project GUV, is a document of a life in music, a critical and celebratory travelogue, an attempt to transcend the homogeneous and status-obsessed conditions of the contemporary world through the use of big beats, big choruses, and distortion. It’s a record made on the go that makes sense anywhere. And most of all, with its expanded sonic palette and emphasis on breakbeats, it ushers in the newest era of an artist who has never stopped growing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCook, who grew up moving between Toronto and England, boasts anglo bonafides that separate him from the growing pack of hardcore kids sporting windbreakers and bowl cuts. Two of the first shows he attended, at the age of 12, were Oasis and Neil Young. After the show, he remembers thinking, “Yeah, I'm gonna do music forever.” Not long after he discovered hardcore and punk, and it was off to the races, first with his beloved hardcore band, No Warning (who he continues to play with to this day), then as a member of punk experimentalists, Fucked Up, from 2007 to 2021–and all the while building a deep and impressive catalog of solo work first as Young Governor, then Young Guv, and now simply, GUV (“I'm not so young anymore, three letter band names are cool, and I'm tired of being mistaken for a rapper,” Cook notes).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold is the widescreen culmination of all of these threads. The album’s music retains the hooky spirit of Cook’s previous records, like the acclaimed double albums GUVI \u0026amp; II and GUV III \u0026amp; IV, but it adds a decidedly rhythmic element informed by classic Madchester and Britpop. It smears and soars, it feels like bolting down the M1 Motorway at midnight, propelled by an urgency unseen in Cook’s other work. What is retained from those earlier power pop releases, though, is the artist’s sharp ear for hooks; now combined with a recharged production sensibility inspired by everyone from the Beastie Boys to The Field Mice to Primal Scream, Cook is able to musically support the core lyrical themes that run throughout the project: the global flattening of culture, the passage of time in the material world, and the artist’s role within all of it.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55861115584898,"sku":"RFC-290-CD","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/guvcd.png?v=1761200265"},{"product_id":"guv-warmer-than-gold-cs","title":"GUV  \"Warmer Than Gold\" CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold, the new album from Ben Cook’s project GUV, is a document of a life in music, a critical and celebratory travelogue, an attempt to transcend the homogeneous and status-obsessed conditions of the contemporary world through the use of big beats, big choruses, and distortion. It’s a record made on the go that makes sense anywhere. And most of all, with its expanded sonic palette and emphasis on breakbeats, it ushers in the newest era of an artist who has never stopped growing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCook, who grew up moving between Toronto and England, boasts anglo bonafides that separate him from the growing pack of hardcore kids sporting windbreakers and bowl cuts. Two of the first shows he attended, at the age of 12, were Oasis and Neil Young. After the show, he remembers thinking, “Yeah, I'm gonna do music forever.” Not long after he discovered hardcore and punk, and it was off to the races, first with his beloved hardcore band, No Warning (who he continues to play with to this day), then as a member of punk experimentalists, Fucked Up, from 2007 to 2021–and all the while building a deep and impressive catalog of solo work first as Young Governor, then Young Guv, and now simply, GUV (“I'm not so young anymore, three letter band names are cool, and I'm tired of being mistaken for a rapper,” Cook notes).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWarmer Than Gold is the widescreen culmination of all of these threads. The album’s music retains the hooky spirit of Cook’s previous records, like the acclaimed double albums GUVI \u0026amp; II and GUV III \u0026amp; IV, but it adds a decidedly rhythmic element informed by classic Madchester and Britpop. It smears and soars, it feels like bolting down the M1 Motorway at midnight, propelled by an urgency unseen in Cook’s other work. What is retained from those earlier power pop releases, though, is the artist’s sharp ear for hooks; now combined with a recharged production sensibility inspired by everyone from the Beastie Boys to The Field Mice to Primal Scream, Cook is able to musically support the core lyrical themes that run throughout the project: the global flattening of culture, the passage of time in the material world, and the artist’s role within all of it.\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55861117387138,"sku":"RFC-290-CS","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/guvtape.png?v=1761200351"},{"product_id":"nothing-a-short-history-of-decay-cd","title":"Nothing \"a short history of decay' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. never come never morning\u003c\/div\u003e\n\u003cdiv\u003e2. cannibal world\u003c\/div\u003e\n\u003cdiv\u003e3. a short history of decay\u003c\/div\u003e\n\u003cdiv\u003e4. the rain don’t care\u003c\/div\u003e\n\u003cdiv\u003e5. purple strings\u003c\/div\u003e\n\u003cdiv\u003e6. toothless coal\u003c\/div\u003e\n\u003cdiv\u003e7. ballet of the traitor\u003c\/div\u003e\n\u003cdiv\u003e8. nerve scales\u003c\/div\u003e\n\u003cdiv\u003e9. essential tremors\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55890383176066,"sku":"RFC-295-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/nothingcd.png?v=1762241530"},{"product_id":"nothing-a-short-history-of-decay-cs","title":"Nothing \"a short history of decay' CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. \u003ci\u003eA Short History of Decay\u003c\/i\u003e, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), \u003ci\u003eA Short History of Decay \u003c\/i\u003eis the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other \u003ci\u003eA Short History of Decay \u003c\/i\u003ehighlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, \u003ci\u003eGuilty of Everything\u003c\/i\u003e -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with \u003ci\u003eA Short History of Decay\u003c\/i\u003e. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. never come never morning\u003c\/div\u003e\n\u003cdiv\u003e2. cannibal world\u003c\/div\u003e\n\u003cdiv\u003e3. a short history of decay\u003c\/div\u003e\n\u003cdiv\u003e4. the rain don’t care\u003c\/div\u003e\n\u003cdiv\u003e5. purple strings\u003c\/div\u003e\n\u003cdiv\u003e6. toothless coal\u003c\/div\u003e\n\u003cdiv\u003e7. ballet of the traitor\u003c\/div\u003e\n\u003cdiv\u003e8. nerve scales\u003c\/div\u003e\n\u003cdiv\u003e9. essential tremors\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":55890385273218,"sku":"RFC-295-CS","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/nothingcs_a9c794fb-61bb-4cbd-bcfc-42da099f627b.png?v=1761814379"},{"product_id":"knumears-directions-cd","title":"Knumears 'Directions' CD","description":"\u003cdiv\u003e\n\u003cb\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003cdiv\u003eKnumears understand that they don’t exist in a vacuum. They’re part of a sonic tradition that's been evolving for decades: call it screamo, skramz, post-hardcore, call it anything you want, but it can only be carried on by those who truly love it. The band’s debut album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, is equal parts love letter and cartography project, exploring the genre from its roots in hardcore to the contemporary scene bubbling up on the West Coast, and even contributing to a blueprint for a new generation of screamo fanatics. But perhaps most importantly,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e–like many of the genre’s best releases–is simply about young musicians expressing themselves through some of the most explosively cathartic music imaginable. \n\u003cp dir=\"ltr\"\u003eFor the first five years they’ve been a band, the only constant for Knumears has been movement. Since their inception in 2021, bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole have gone from playing packed local shows with kids screaming, climbing, shouting and dancing, to touring nationally and finding the same fervor and impassioned reactions at venues all across the country. Outside of that chaos, the group found themselves at crossroads in their own lives. They were discovering new relationships, cultivating their personal worlds, and learning to navigate the space between youth and adulthood–all while trying to find the time to forge their debut album. \u003cbr\u003e\u003cbr\u003e“We were all struggling very much creatively when trying to write this album,” explains Cole. “We have several projects outside of Knumears [like vs self, Elm, and Bettin Horses] and I think exploring music that wasn’t necessarily about aggression helped clear some blocks–getting all of the ‘fun’ music out of the way so that we could focus on something deeper that leaves it all on the table.” With studio time on the books with legendary producer\/engineer Jack Shirley (Deafheaven, Joyce Manor, Touche Amore) the band’s writing process suddenly kicked into gear. “A few weeks before our time with Jack, we sat down and basically wrote the whole record. It practically was flowing out of us,” says Cole. \u003c\/p\u003e\nThe result is an album that sounds as urgent and immediate as the feelings it explores.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis steeped in the confusion of exiting adolescence and bracing for what’s next, the challenge of deciding what parts of life will stay with you and what might be left behind. Tracks like “One Light, Sunshine” or “Breaking Ground” delve into this kind of growth and the bonds that help foster it. Cole’s penmanship is sparse yet evocative, and intensely delivered alongside his caterwauling guitar riffs, Garcia’s distorted bass, and Lopez’s acrobatic drumming. “Lyrically I dug deep into the familial aspect of love and hardships,” Cole explains. “When most people think of a love song I think they have such a narrow headspace about it. Your one true love could be your grandma or your best friend, not just a significant other. I wanted to kind of focus on that with these lyrics. A lot of them are about my mother, father, and grandmother, who all shape my creativity a lot.” \n\u003cp dir=\"ltr\"\u003eOn late album standout “Friendly Face” Cole howls “take me with you, we’ll watch the clouds \/ Each shape forming a different sound \/ Lay with me upon a bed of green, we’ll see things that only we can see” referring to the influence of his grandmother with his love for her emanating from the speakers alongside some of the album’s most pummeling instrumentals. “Those lyrics are really personal to me,” he says. “Whenever I'm lost or don't really know who I'm supposed to be, I just think of my childhood and the people that helped me grow.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThroughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, Knumears manage to take classic screamo tropes–the wildly swinging dynamics, the crushing ferocity, the unabashed vulnerability–and reinvigorate them through sheer force of will. “The early screamo bands are special because they didn't have pre-existing bands to try and sound like,” says Cole. “They were screaming because they needed to not because it was cool.” This appreciation for the genre’s forebears is built into the incendiary lead single “Fade Away,” which features a guest appearance from Jerome’s Dream frontman Jeff Smith. The song’s panicked opening riff gives way to a propulsive snare roll, exploding into a full-band attack as Smith’s unhinged voice rips through the finale. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the end Knumears’ ability to encapsulate so much of what’s made screamo exciting and enduring simply comes down to the passion that’s so intrinsic to the genre itself. \"I think what draws us to this type of music, just like everyone else, is the absolute raw emotion,” Cole says. “We all grew up listening to hardcore, and I think that allows you to see the world in a completely different light—both more creatively and intellectually. Not being raised on music that had nothing real to say was the best thing that happened to us.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cbr\u003eTracklist\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1. Introduction\u003c\/div\u003e\n\u003cdiv\u003e2. One Light, Sunshine\u003c\/div\u003e\n\u003cdiv\u003e3. My Name\u003c\/div\u003e\n\u003cdiv\u003e4. Breaking Ground\u003c\/div\u003e\n\u003cdiv\u003e5. Directions\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003cdiv\u003e7. Bridged\u003c\/div\u003e\n\u003cdiv\u003e8. Fade Away\u003c\/div\u003e\n\u003cdiv\u003e9. Friendly Face\u003c\/div\u003e\n\u003cdiv\u003e10. The North\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56244284490114,"sku":"RFC-314-CD","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/knumearscd.png?v=1768995746"},{"product_id":"knumears-directions-cs","title":"Knumears 'Directions' CS","description":"\u003cdiv\u003e\n\u003cb\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003cdiv\u003eKnumears understand that they don’t exist in a vacuum. They’re part of a sonic tradition that's been evolving for decades: call it screamo, skramz, post-hardcore, call it anything you want, but it can only be carried on by those who truly love it. The band’s debut album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, is equal parts love letter and cartography project, exploring the genre from its roots in hardcore to the contemporary scene bubbling up on the West Coast, and even contributing to a blueprint for a new generation of screamo fanatics. But perhaps most importantly,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e–like many of the genre’s best releases–is simply about young musicians expressing themselves through some of the most explosively cathartic music imaginable. \n\u003cp dir=\"ltr\"\u003eFor the first five years they’ve been a band, the only constant for Knumears has been movement. Since their inception in 2021, bassist Dante Garcia II, drummer Frankie Lopez, and vocalist\/guitarist Matthew Cole have gone from playing packed local shows with kids screaming, climbing, shouting and dancing, to touring nationally and finding the same fervor and impassioned reactions at venues all across the country. Outside of that chaos, the group found themselves at crossroads in their own lives. They were discovering new relationships, cultivating their personal worlds, and learning to navigate the space between youth and adulthood–all while trying to find the time to forge their debut album. \u003cbr\u003e\u003cbr\u003e“We were all struggling very much creatively when trying to write this album,” explains Cole. “We have several projects outside of Knumears [like vs self, Elm, and Bettin Horses] and I think exploring music that wasn’t necessarily about aggression helped clear some blocks–getting all of the ‘fun’ music out of the way so that we could focus on something deeper that leaves it all on the table.” With studio time on the books with legendary producer\/engineer Jack Shirley (Deafheaven, Joyce Manor, Touche Amore) the band’s writing process suddenly kicked into gear. “A few weeks before our time with Jack, we sat down and basically wrote the whole record. It practically was flowing out of us,” says Cole. \u003c\/p\u003e\nThe result is an album that sounds as urgent and immediate as the feelings it explores.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis steeped in the confusion of exiting adolescence and bracing for what’s next, the challenge of deciding what parts of life will stay with you and what might be left behind. Tracks like “One Light, Sunshine” or “Breaking Ground” delve into this kind of growth and the bonds that help foster it. Cole’s penmanship is sparse yet evocative, and intensely delivered alongside his caterwauling guitar riffs, Garcia’s distorted bass, and Lopez’s acrobatic drumming. “Lyrically I dug deep into the familial aspect of love and hardships,” Cole explains. “When most people think of a love song I think they have such a narrow headspace about it. Your one true love could be your grandma or your best friend, not just a significant other. I wanted to kind of focus on that with these lyrics. A lot of them are about my mother, father, and grandmother, who all shape my creativity a lot.” \n\u003cp dir=\"ltr\"\u003eOn late album standout “Friendly Face” Cole howls “take me with you, we’ll watch the clouds \/ Each shape forming a different sound \/ Lay with me upon a bed of green, we’ll see things that only we can see” referring to the influence of his grandmother with his love for her emanating from the speakers alongside some of the album’s most pummeling instrumentals. “Those lyrics are really personal to me,” he says. “Whenever I'm lost or don't really know who I'm supposed to be, I just think of my childhood and the people that helped me grow.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThroughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirections\u003c\/em\u003e, Knumears manage to take classic screamo tropes–the wildly swinging dynamics, the crushing ferocity, the unabashed vulnerability–and reinvigorate them through sheer force of will. “The early screamo bands are special because they didn't have pre-existing bands to try and sound like,” says Cole. “They were screaming because they needed to not because it was cool.” This appreciation for the genre’s forebears is built into the incendiary lead single “Fade Away,” which features a guest appearance from Jerome’s Dream frontman Jeff Smith. The song’s panicked opening riff gives way to a propulsive snare roll, exploding into a full-band attack as Smith’s unhinged voice rips through the finale. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the end Knumears’ ability to encapsulate so much of what’s made screamo exciting and enduring simply comes down to the passion that’s so intrinsic to the genre itself. \"I think what draws us to this type of music, just like everyone else, is the absolute raw emotion,” Cole says. “We all grew up listening to hardcore, and I think that allows you to see the world in a completely different light—both more creatively and intellectually. Not being raised on music that had nothing real to say was the best thing that happened to us.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cbr\u003eTracklist\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1. Introduction\u003c\/div\u003e\n\u003cdiv\u003e2. One Light, Sunshine\u003c\/div\u003e\n\u003cdiv\u003e3. My Name\u003c\/div\u003e\n\u003cdiv\u003e4. Breaking Ground\u003c\/div\u003e\n\u003cdiv\u003e5. Directions\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003cdiv\u003e7. Bridged\u003c\/div\u003e\n\u003cdiv\u003e8. Fade Away\u003c\/div\u003e\n\u003cdiv\u003e9. Friendly Face\u003c\/div\u003e\n\u003cdiv\u003e10. The North\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56244355268994,"sku":"RFC-314-CS","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/knumearscassette.png?v=1768995703"},{"product_id":"teen-suicide-nude-descending-staircase-headless-cd","title":"Teen Suicide  'Nude descending staircase headless' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eTeen Suicide’s seventh LP is due this spring via Run For Cover Records. The album marks the band’s first full-length release in three years, following honeybee table at the butterfly feast, which found renewed attention through tracks like “you were my star,” a breakout success on TikTok. Originally formed in 2010 as a side project of Sam Ray, Teen Suicide gradually evolved while remaining a passion-driven endeavor. Since 2017, the lineup has included Kitty Ray, and in 2022 the band officially became a full-time project with the addition of drummer Niko Wood. Together, the trio began writing and recording their upcoming LP, Nude descending stair- case headless.\u003cbr\u003eThe album represents a series of firsts for the band: their first re- cord recorded in a professional studio, their first release written and recorded as a full-time band, and their first since 2012 to feature a dedicated drummer throughout. It also marks the beginning of a ful- ly shared writing process between Sam and Kitty Ray, who married in 2016 and collaborated from the ground up on the entire record, splitting both songwriting and vocal duties.\u003cbr\u003eDescribed by Sam Ray as the band’s “career highlight so far,” Nude descending staircase headless explores the endless pursuit of ful- fillment through creation, threading motifs of death and rebirth with themes of embracing joy in the wake of immense loss. The record reframes the self not as an isolated object, but as a single strand within a larger, interconnected web. Standout tracks include “Idiot,” which leans into direct, literal storytelling, and “Spiders,” featuring Kitty Ray on lead vocals and introducing a darkly feminist undercur- rent to the album’s broader narrative.\u003cbr\u003eMusically, the band draws inspiration from artists such as Nirva- na, Radiohead, Shellac, and Helmet, channeling the intensity and experimentation of late-’80s and ’90s heavy rock. Their recent tours with DELTA SLEEP further highlight Teen Suicide’s growing incorporation of math rock and metal influences into their evolving sound.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003e1. Anhedonia\u003c\/div\u003e\n\u003cdiv\u003e2. Idiot\u003c\/div\u003e\n\u003cdiv\u003e3. Suffering (Mike’s way)\u003c\/div\u003e\n\u003cdiv\u003e4. Spiders\u003c\/div\u003e\n\u003cdiv\u003e5. The Knives\u003c\/div\u003e\n\u003cdiv\u003e6. Everything in my life is perfect\u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003e1. Candy \/ Squeeze\u003c\/div\u003e\n\u003cdiv\u003e2. Living death\u003c\/div\u003e\n\u003cdiv\u003e3. Keeping Her keys\u003c\/div\u003e\n\u003cdiv\u003e4. Hypnotic poison\u003c\/div\u003e\n\u003cdiv\u003e5. Kindnesses\u003c\/div\u003e\n\u003cdiv\u003e6. Not born to run\u003c\/div\u003e\n\u003cdiv\u003e7. Come and see the clown\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56301724696962,"sku":"RFC315CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/teenscd.png?v=1770045336"},{"product_id":"basement-wired-cd","title":"Basement 'WIRED' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWIRED is a hard reset for Basement. It marks the British band’s first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition that's always animated their best material. Since forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher -- with the same alchemic bond. The only thing that's changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. Wired is the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the band’s singular sound: growling guitars, rousing choruses, striking emotional verbiage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBasement are back firing on all cylinders, but they're not interested in rehashing old glories. The whole band was adamant that Wired had to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on Wired sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe record’s title condenses all of this into a single word. The textural connotations of Wired -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they're wired for this shit.\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. Time Waster \u003c\/div\u003e\n\u003cdiv\u003e2. WIRED \u003c\/div\u003e\n\u003cdiv\u003e3. Deadweight \u003c\/div\u003e\n\u003cdiv\u003e4. Broken By Design\u003c\/div\u003e\n\u003cdiv\u003e5. Pick Up The Pieces \u003c\/div\u003e\n\u003cdiv\u003e6. Embrace \u003c\/div\u003e\n\u003cdiv\u003e7. Sever\u003c\/div\u003e\n\u003cdiv\u003e8. The Way I Feel\u003c\/div\u003e\n\u003cdiv\u003e9. Satisfy \u003c\/div\u003e\n\u003cdiv\u003e10. Head Alight\u003c\/div\u003e\n\u003cdiv\u003e11.Longshot\u003c\/div\u003e\n\u003cdiv\u003e12. Summer’s End\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56407738024322,"sku":"RFC-288-CD","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/basementcd.png?v=1771883207"},{"product_id":"basement-wired-cs","title":"Basement 'WIRED' CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWIRED is a hard reset for Basement. It marks the British band’s first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition that's always animated their best material. Since forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher -- with the same alchemic bond. The only thing that's changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. Wired is the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the band’s singular sound: growling guitars, rousing choruses, striking emotional verbiage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBasement are back firing on all cylinders, but they're not interested in rehashing old glories. The whole band was adamant that Wired had to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on Wired sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe record’s title condenses all of this into a single word. The textural connotations of Wired -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they're wired for this shit.\u003c\/p\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. Time Waster \u003c\/div\u003e\n\u003cdiv\u003e2. WIRED \u003c\/div\u003e\n\u003cdiv\u003e3. Deadweight \u003c\/div\u003e\n\u003cdiv\u003e4. Broken By Design\u003c\/div\u003e\n\u003cdiv\u003e5. Pick Up The Pieces \u003c\/div\u003e\n\u003cdiv\u003e6. Embrace \u003c\/div\u003e\n\u003cdiv\u003e7. Sever\u003c\/div\u003e\n\u003cdiv\u003e8. The Way I Feel\u003c\/div\u003e\n\u003cdiv\u003e9. Satisfy \u003c\/div\u003e\n\u003cdiv\u003e10. Head Alight\u003c\/div\u003e\n\u003cdiv\u003e11.Longshot\u003c\/div\u003e\n\u003cdiv\u003e12. Summer’s End\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56407739957634,"sku":"RFC-288-CS-c1","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/RFC288cs.png?v=1771883300"},{"product_id":"portrayal-of-guilt-beginning-of-the-end-cd","title":"Portrayal Of Guilt '...Beginning Of The End' CD","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root\"\u003e\n\u003cdiv id=\"embedded-app\" class=\"embedded-app\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"fvsdk_container\" class=\"_fvsdk-container_ba0ho_5\" data-testid=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_fvsdk-mount-point_2087j_1\" id=\"fvsdk-mount-point\"\u003e\n\u003cdiv class=\"_fileViewerArea_2087j_17\"\u003e\n\u003cdiv class=\"_rendererRow_1naqk_11\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0 _drawer-wrapper_lyxv4_1\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"_centerSection_1naqk_24\"\u003e\n\u003cdiv class=\"_container_1cr5w_1 _containerV2_1cr5w_35\" id=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_previewContentWrapper_1t0x7_11\"\u003e\n\u003cdiv class=\"_previewContent_1t0x7_1\"\u003e\n\u003cdiv class=\"_headerContainer_1f4eh_1\"\u003e\n\u003cdiv class=\"_scrollableContainer_t4qxl_1\"\u003e\n\u003cdiv data-slate-editor=\"true\" data-slate-node=\"value\"\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End is the latest album from Portrayal of Guilt, a curious title for a band that has treated each release like a new creative start, constantly reinventing themselves since their inception less than a decade ago. In that relatively short time, the Austin trio have not only toured the world over, created their own musical eco-system and released three seminal full-length albums, they have done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of \"menacing,\" “compelling” and “must hear.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003ePortrayal of Guilt made an immediate impact in underground circles with their debut Let Pain Be Your Guide by mixing nihilistic hardcore, black metal, classic screamo, and imaginative textures. We Are Always Alone and CHRISTF*CKER LPs followed in 2021, the band’s breakout body blows that corroded the band’s commitment to genre, nodding at industrial music, post-metal, sludge and even post-hardcore, all while cementing the band’s tendencies toward experimentalism. Portrayal of Guilt’s fearless spirit reimagined their own sound as classical (Devil Music EP) and EBM \/ goth (CHRISTF*CKER II) on more recent efforts. And though the pacing of releases and the band’s evolution has remained steady, Portrayal of Guilt’s execution has kept their audiences hungry for the band’s ever-evolving sound. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003eClocking in at around 32 minutes across eleven new tracks, …Beginning of the End was recorded and mixed by Phillip Odom between March-June 2025 with mastering handled by Will Yip. …Beginning of the End embraces both the groove and avant garde, revisiting the raw, teeth-gnashing intensity of their previous work while toying with nu-metal, alternative rock, trip hop, dark ambient and other disparate influences. The latest effort feels like a band that has traversed every shadowy corner of heavy music, distilling their decade of innovation and knowledge into a singular show of force, recalling moments of greatness found on releases from Deftones, Massive Attack, Dystopia, Deathspell Omega, Celtic Frost and Cursed among many others. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End, due on April 24th is Portrayal of Guilt’s fourth studio album in eight years, and third with Run for Cover. As with all prior releases, expect Portrayal of Guilt to take these new songs to the ends of the Earth, further cementing their monolithic touring reputation– one that has seen the band play around the world with the likes of Botch, Majority Rule, Baroness, Deafheaven, pg.99, Thou, Sumac, and many more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBackstabber\u003c\/div\u003e\n\u003cdiv\u003eHuman Terror\u003c\/div\u003e\n\u003cdiv\u003eHeaven’s Gate\u003c\/div\u003e\n\u003cdiv\u003eUnder Siege\u003c\/div\u003e\n\u003cdiv\u003eEcstasy\u003c\/div\u003e\n\u003cdiv\u003eDeath From Above\u003c\/div\u003e\n\u003cdiv\u003eGod Will Never Hear Me\u003c\/div\u003e\n\u003cdiv\u003eChamber of Misery Pt. IV (Feat. Slim Guerilla)\u003c\/div\u003e\n\u003cdiv\u003eTotal Black\u003c\/div\u003e\n\u003cdiv\u003eObject of Pain\u003c\/div\u003e\n\u003cdiv\u003eThe Last Judgement\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56433151869314,"sku":"RFC-297-CD","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/POGCD.png?v=1772560804"},{"product_id":"portrayal-of-guilt-beginning-of-the-end-cs","title":"Portrayal Of Guilt '...Beginning Of The End' CS","description":"\u003cp\u003e🚛 - In Stock \u0026amp; Shipping\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root\"\u003e\n\u003cdiv id=\"embedded-app\" class=\"embedded-app\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"fvsdk_container\" class=\"_fvsdk-container_ba0ho_5\" data-testid=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_fvsdk-mount-point_2087j_1\" id=\"fvsdk-mount-point\"\u003e\n\u003cdiv class=\"_fileViewerArea_2087j_17\"\u003e\n\u003cdiv class=\"_rendererRow_1naqk_11\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0 _drawer-wrapper_lyxv4_1\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame dig-iax92w0_23-6-0\"\u003e\n\u003cdiv class=\"dig-InlineDrawer-frame-body dig-iax92w1_23-6-0\"\u003e\n\u003cdiv class=\"_centerSection_1naqk_24\"\u003e\n\u003cdiv class=\"_container_1cr5w_1 _containerV2_1cr5w_35\" id=\"fvsdk-container\"\u003e\n\u003cdiv class=\"_previewContentWrapper_1t0x7_11\"\u003e\n\u003cdiv class=\"_previewContent_1t0x7_1\"\u003e\n\u003cdiv class=\"_headerContainer_1f4eh_1\"\u003e\n\u003cdiv class=\"_scrollableContainer_t4qxl_1\"\u003e\n\u003cdiv data-slate-editor=\"true\" data-slate-node=\"value\"\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End is the latest album from Portrayal of Guilt, a curious title for a band that has treated each release like a new creative start, constantly reinventing themselves since their inception less than a decade ago. In that relatively short time, the Austin trio have not only toured the world over, created their own musical eco-system and released three seminal full-length albums, they have done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of \"menacing,\" “compelling” and “must hear.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003ePortrayal of Guilt made an immediate impact in underground circles with their debut Let Pain Be Your Guide by mixing nihilistic hardcore, black metal, classic screamo, and imaginative textures. We Are Always Alone and CHRISTF*CKER LPs followed in 2021, the band’s breakout body blows that corroded the band’s commitment to genre, nodding at industrial music, post-metal, sludge and even post-hardcore, all while cementing the band’s tendencies toward experimentalism. Portrayal of Guilt’s fearless spirit reimagined their own sound as classical (Devil Music EP) and EBM \/ goth (CHRISTF*CKER II) on more recent efforts. And though the pacing of releases and the band’s evolution has remained steady, Portrayal of Guilt’s execution has kept their audiences hungry for the band’s ever-evolving sound. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003eClocking in at around 32 minutes across eleven new tracks, …Beginning of the End was recorded and mixed by Phillip Odom between March-June 2025 with mastering handled by Will Yip. …Beginning of the End embraces both the groove and avant garde, revisiting the raw, teeth-gnashing intensity of their previous work while toying with nu-metal, alternative rock, trip hop, dark ambient and other disparate influences. The latest effort feels like a band that has traversed every shadowy corner of heavy music, distilling their decade of innovation and knowledge into a singular show of force, recalling moments of greatness found on releases from Deftones, Massive Attack, Dystopia, Deathspell Omega, Celtic Frost and Cursed among many others. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_lineContent_t4qxl_32\"\u003e\n\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e…Beginning of the End, due on April 24th is Portrayal of Guilt’s fourth studio album in eight years, and third with Run for Cover. As with all prior releases, expect Portrayal of Guilt to take these new songs to the ends of the Earth, further cementing their monolithic touring reputation– one that has seen the band play around the world with the likes of Botch, Majority Rule, Baroness, Deafheaven, pg.99, Thou, Sumac, and many more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-slate-node=\"text\"\u003e\u003cspan data-slate-leaf=\"true\" class=\"_base_t4qxl_61\"\u003e\u003cspan data-slate-string=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBackstabber\u003c\/div\u003e\n\u003cdiv\u003eHuman Terror\u003c\/div\u003e\n\u003cdiv\u003eHeaven’s Gate\u003c\/div\u003e\n\u003cdiv\u003eUnder Siege\u003c\/div\u003e\n\u003cdiv\u003eEcstasy\u003c\/div\u003e\n\u003cdiv\u003eDeath From Above\u003c\/div\u003e\n\u003cdiv\u003eGod Will Never Hear Me\u003c\/div\u003e\n\u003cdiv\u003eChamber of Misery Pt. IV (Feat. Slim Guerilla)\u003c\/div\u003e\n\u003cdiv\u003eTotal Black\u003c\/div\u003e\n\u003cdiv\u003eObject of Pain\u003c\/div\u003e\n\u003cdiv\u003eThe Last Judgement\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56433156751746,"sku":"RFC-297-CS","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/POGcs_b777ab26-3a13-43a2-a5db-e0cdb1545eff.png?v=1772640656"},{"product_id":"citizen-halcyon-blues-cd","title":"Citizen 'Halcyon Blues' CD","description":"\u003cp\u003e🚛 - Pre-Order expected to ship August 7th 2026\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e17 years into an impressive career, Citizen still feel like underdogs who have never quite fit in. The band’s persistent sonic evolution and refusal to make the same record twice has earned them a reputation as one of the most consistently captivating bands in modern rock music. But following your own path often means walking it alone, and their unlikely rise from a band of Toledo high schoolers to long-running headliners capable of selling out shows around the world has been hard-earned. It's precisely this commitment to their craft that has led to their new album, Halcyon Blues. It’s a dynamic and confident culmination of all that’s come before, making it crystal clear that for all their sonic restlessness, Citizen have always known exactly who they are.\u003c\/p\u003e\n\u003cp\u003eFrom the start, the band–vocalist Mat Kerekes, guitarist Nick Hamm, bassist Eric Hamm, along with newer members guitarist Mason Mercer and drummer Ben Russin–were steadfastly determined to follow their creativity wherever it led. Over the years they deftly moved through raw emo, menacing post-hardcore, anthemic alternative, garage-y indie pop, and so much more. Now Halcyon Blues brings elements from throughout their entire catalog together into a singular and instantly satisfying record that just sounds like Citizen. \u003c\/p\u003e\n\u003cp\u003eIn the band’s earlier years, their sonic shifts were seen as a bug rather than a feature. “We’ve never easily known where we belong,” explains Kerekes. “When we were coming up we’d try to get tours and people would ask verbatim, ‘What kind of band is this?’ We were the ugly ducklings for a long time, and maybe we still are, but I like that we figured out how to stand on our own.” And the band has also stood the test of time. While many of their contemporaries from the 2010s emo boom burned bright but also quickly burned out, Citizen’s singular focus on pushing themselves musically allowed them to grow steadily–and for their audience to grow with them. “A lot of bands try to do anything they can to be the hottest thing of the moment and we’ve just never operated like that,” says Nick Hamm. “We don't think in moments, or months, or record cycles. Some bands end up getting sick of whatever walls they exist in, but I see Citizen as this long term creative project where there’s always somewhere new to go, and that’s kept me exhilarated through all these years. And we’ve trusted that people who like our band will want to come along. A lot of people grew with us and we’re really thankful for that.” \u003c\/p\u003e\n\u003cp\u003eWhere past Citizen albums have felt like direct responses to the preceding release, Halcyon Blues sounds like the group wrapping their arms around their entire catalog and carrying it forward. Recorded by Kerekes in his home studio in Toledo, then mixed by Tom Lorde-Alge (U2, Weezer, Blink182), the record taps into the urgency and ferocity of Citizen’s early albums while embracing the epic scope and undeniable hooks of their more recent work. “I think the band is always in conversation with itself,” explains Hamm. “Early on we tried to set it up so that Citizen could be whatever we want it to be, so we’ve always been ready and willing for the music to change as we change as people. But at the end of the day we are still the same people making music together, the same people that made Youth and all the rest.” \u003c\/p\u003e\n\u003cp\u003eBeing those people hasn’t always been easy, for Kerekes in particular, and Halcyon Blues finds him simultaneously reckoning with personal upheaval while finding a sense of security within the band for the first time. “When you're doing what you always dreamed of doing, you really don't understand why it’s not always fulfilling,” he explains. “There’s been times where I've thought about leaving the band, but the Youth anniversary shows were a real gamechanger for me. I would walk out on stage and look out at the front row and see people’s faces that I recognized because they’ve been coming to Citizen shows for a decade. It made me sort of feel like this is the coolest thing ever. Why would I even for a second not be stoked on it? From that moment on I've just been all in. This is who I am and this is what I do.”\u003c\/p\u003e\n\u003cp\u003eKerekes’ self-assuredness with his role in the band contrasts the uncertainty that permeates Halcyon Blues’ lyrics. “It’s about unexpected change,” he says. “You think you know everything, you think you have everything figured out, and then all of the sudden you don’t. Everything’s different, for better and for worse. Sometimes it’s really hard but ultimately it might be for the best.” The opening salvo of “Good Fortune” and “I Can See You from Here” explode from the speakers, introducing the record’s blend of technicolor sound and melancholic themes. These are huge rock songs with fittingly huge emotions, but the youthful frustration of Citizen’s early work has grown up too, replaced by a more nuanced, though no less cutting, adult perspective. “The album sounds sad but it’s not necessarily like that,” says Kerekes. “Sometimes coming of age things are bittersweet, and this is sort of like that too.” Mid-album standout “Always The Last One To Leave” offers one of the most sweeping ballads Citizen have ever penned, while scorching tracks like “Matador” or “Smooth Talker” tap into pent up resentment with cathartic results. “Highs and Lows” pushes the band’s sound to truly astounding heights, a soaring alternative song driven by propulsive drums, a towering chorus melody, and synth strings that draw the listener into Kerekes’ emotionally raw storytelling. \u003c\/p\u003e\n\u003cp\u003eAs the cinematic “Anne” closes out Halcyon Blues, it’s clear that Citizen have truly arrived. “I never imagined we’d play shows to several hundred people, let alone thousands,” says Hamm. “We never had that red-hot rocketship thing, but we always did what we wanted to do and we had a feeling that if we kept doing it, then eventually everything else would come together. Maybe we’ve started to come to that point.” This is the sound of nearly two decades of musical and personal experience combined into a declaration of something their dedicated fans already know: Citizen is one of our great modern rock bands–and they’re at the absolute top of their game.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eGood Fortune\u003cbr\u003eI Can See You From Here\u003cbr\u003eHalcyon Blues\u003cbr\u003eIs It In My Brain\u003cbr\u003eAlways the Last One To Leave\u003cbr\u003eEither Way\u003cbr\u003eMatador\u003cbr\u003eEther\u003cbr\u003eSmooth Talker\u003cbr\u003eHighs and Lows\u003cbr\u003eAnne\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Information:\u003c\/strong\u003e\u003cbr\u003e150 Spotlight (\u003ca href=\"https:\/\/runforcoverrecords.com\/products\/run-for-cover-magic-circle-vinyl-subscription\"\u003eRun For Cover Magic Circle Vinyl Subscription\u003c\/a\u003e)\u003cbr\u003e850 Halcyon Blues (Run For Cover Exclusive)\u003cbr\u003e1000 Matador Red (\u003ca href=\"https:\/\/www.citizentheband.net\/\"\u003eCitizen Exclusive\u003c\/a\u003e)\u003cbr\u003e2000 Good Fortune (First Run Club Indie Retail)\u003cbr\u003e400 Highs and Lows (\u003ca href=\"https:\/\/www.goingundergroundrecords.com\/\"\u003eGoing Underground\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.wannahearitstore.com\/\"\u003eWanna Hear it\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eExclusive)\u003cbr\u003e400 Ether (\u003ca href=\"https:\/\/shop.brooklynvegan.com\/collections\/all\"\u003eBrooklynVegan Exclusive\u003c\/a\u003e)\u003cbr\u003e300 Smooth Talker (\u003ca href=\"https:\/\/www.roughtrade.com\/en-us\/collection\/exclusive\"\u003eRough Trade Exclusive\u003c\/a\u003e)\u003cbr\u003e2500 Sea Glass \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56593704124802,"sku":"RFC-299-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/citizencd.png?v=1777354590"},{"product_id":"daydream-plus-second-last-day-of-summer-lp-copy","title":"Daydream Plus 'Second Last Day of Summer' CD","description":"\u003cp\u003e🚛 - Pre-Order expected to ship 10th of July 2026\u003cbr\u003e\u003cbr\u003eThere’s an old trope about the last day of summer vacation; that it represents access to endless, effortless joy. But it’s not really like that at all. Just ask Payson Power, the guitarist and creative force behind Toronto’s Daydream Plus. “Growing up, whenever I’d see a film that takes place on the last day of summer, I’d be like, ‘You’re already at the depressing part!’ The good part is the second-to-last day of summer, because it’s the last day you can live consequence-free.” That moment, where you can still watch movies and play video games until the sun comes up, is what inspired Power to write Daydream Plus’ first full-length album, Second Last Day of Summer. What makes that day so beautiful is, subconsciously, you know it’s all about to come to an end.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAfter a lifetime spent playing heavy music, Power formed Daydream Plus in 2020 as a way to explore melodic, catchy compositions, indulging influences he’d only been able to access in brief flashes. After two EPs where the Toronto trio existed in the narrow overlap between intricate math rock and urbane city pop, Power slowly expanded his scope. Taking bits from video game soundtracks, energetic anime scores, and even chords yanked straight from the Steely Dan songbook, Second Last Day of Summer sees Daydream Plus building a more richly detailed world. Aided by Power’s fellow Tomb Mold bandmates, drummer Max Klebanoff and bassist Kevin Sia, the trio work to take the spirit of Don Caballero and apply a sheen of smooth jazz atop it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003e1. Tutorial\u003c\/div\u003e\n\u003cdiv\u003e2. Metropolitan Mirage\u003c\/div\u003e\n\u003cdiv\u003e3. Speed Limit\u003c\/div\u003e\n\u003cdiv\u003e4. Lockpick\u003c\/div\u003e\n\u003cdiv\u003e5. Emergency Exit\u003c\/div\u003e\n\u003cdiv\u003e6. More Time Alone\u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003e1. Stiletto Flourish\u003c\/div\u003e\n\u003cdiv\u003e2. Nautical Twilight\u003c\/div\u003e\n\u003cdiv\u003e3. Undertow\u003c\/div\u003e\n\u003cdiv\u003e4. Hard to Destroy\u003c\/div\u003e\n\u003cdiv\u003e5. Constellation\u003c\/div\u003e\n\u003cdiv\u003e6. Wave Goodbye\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":56675010150786,"sku":"RFC316CD","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/files\/daydreamcd.png?v=1779893172"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/9494\/0689\/collections\/RFC_logo_9450420e-d31f-4118-b219-77083f490e60.png?v=1773816984","url":"https:\/\/devildogdistro.com\/collections\/run-for-cover-cds-cassettes.oembed?page=2","provider":"Devil Dog Distro","version":"1.0","type":"link"}